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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    446 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    369 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 17 matching records exist across the two collections.

Results for "The Rich Man Transported to Hell, from T"12 records

Institutions answered newest-first by record, interleaved

Figure with conical headdress and shield by Maya artist(s), The Metropolitan Museum of Art

Figure with conical headdress and shield

Maya artist(s)

600–800 CE · Ceramic, pigment

Cleared · Public Domain

live
The MetSimilar
Chuspa (coca bag) by Moche artist(s), The Metropolitan Museum of Art

Chuspa (coca bag)

Moche artist(s)

650-850 CE · Cotton, camelid hair, and dye

Cleared · Public Domain

live
The MetSimilar
The Agony in the Garden by an unrecorded maker, The Metropolitan Museum of Art

The Agony in the Garden

Unrecorded maker

ca. 1390 · Pot-metal and colorless glass, vitreous paint and silver stain

Cleared · Public Domain

live
The MetSimilar
The Baptism of Christ by an unrecorded maker, The Metropolitan Museum of Art

The Baptism of Christ

Unrecorded maker

ca. 1390 · Pot-metal and colorless glass, vitreous paint and silver stain

Cleared · Public Domain

live
The MetSimilar
The Rich Man Transported to Hell, from The Parable of the Rich Man and Lazarus, from "The Parable of the Rich Man and Lazarus" by Heinrich Aldegrever, The Metropolitan Museum of Art

The Rich Man Transported to Hell, from The Parable of the Rich Man and Lazarus, from "The Parable of the Rich Man and Lazarus"

Heinrich Aldegrever (d. 1561)

1554 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Farnese Table by Jacopo [Giacomo] Barozzi da Vignola, The Metropolitan Museum of Art

The Farnese Table

Jacopo [Giacomo] Barozzi da Vignola (d. 1573)

ca. 1565–73 · Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers

Cleared · Public Domain

live
The MetSimilar
Copy of The Rich Man Transported to Hell, from "The Parable of the Rich Man and Lazarus" by Heinrich Aldegrever, The Metropolitan Museum of Art

Copy of The Rich Man Transported to Hell, from "The Parable of the Rich Man and Lazarus"

Heinrich Aldegrever (d. 1561)

after 1554 · Engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Banquet of the rich man and Lazarus, set in a loggia within a landscape

Anonymous, Italian, 16th century (d. 1600)

ca 1565–89 · Engraving and etching (offset of another print on verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 70: The public, my dear fellow, is stupid..., from 'Caricaturana,' published in Les Robert Macaires

Honoré Daumier (d. 1879)

1838 · Lithograph on wove paper; second state of two (Delteil)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 71: You're not ashamed, you, a landlord, to ask for money from a poor devil of a tenant..., from 'Caricaturana,' published in Les Robert Macaires

Honoré Daumier (d. 1879)

1838 · Lithograph on wove paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Staff and Stool (Dolaba)

Unrecorded maker

19th–20th century · Wood, sacrificial materials

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.