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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    786 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    273 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 229 matching records exist across the two collections.

Results for "The Risen Christ Adored by Saints and An"12 records

Institutions answered newest-first by record, interleaved

Crucifixion flanked by Saints by an unrecorded maker, The Metropolitan Museum of Art

Crucifixion flanked by Saints

Unrecorded maker

1270–1290 · Silk

Cleared · Public Domain

live
The MetSimilar
The Adoration of the Shepherds by Bartolo di Fredi, The Metropolitan Museum of Art

The Adoration of the Shepherds

Bartolo di Fredi (d. 1410)

1374 · Tempera on poplar, gold ground

Cleared · Public Domain

live
The MetSimilar
Christ and the Twelve Apostles by Taddeo di Bartolo, The Metropolitan Museum of Art

Christ and the Twelve Apostles

Taddeo di Bartolo (d. 1422)

ca. 1400 · Tempera on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
The Trinity Adored by All Saints by Spanish Painter, The Metropolitan Museum of Art

The Trinity Adored by All Saints

Spanish Painter

1405 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Saints Christopher, Eustace, and Erasmus (Three Helper Saints) by Tilman Riemenschneider, The Metropolitan Museum of Art

Saints Christopher, Eustace, and Erasmus (Three Helper Saints)

Tilman Riemenschneider (d. 1531)

ca. 1500–1505 · Limewood

Cleared · Public Domain

live
The MetSimilar
Christ and the Two Thieves Crucified by Michelangelo Buonarroti, The Metropolitan Museum of Art

Christ and the Two Thieves Crucified

Michelangelo Buonarroti (d. 1564)

ca. 1560–70 · Bronze

Cleared · Public Domain

live
The MetSimilar
The Virgin Adored by Saints by Scarsellino (Ippolito Scarsella), The Metropolitan Museum of Art

The Virgin Adored by Saints

Scarsellino (Ippolito Scarsella) (d. 1620)

ca. 1609 · Oil on copper

Cleared · Public Domain

live
The MetSimilar
The Glorification of the Eucharist by Peter Paul Rubens, The Metropolitan Museum of Art

The Glorification of the Eucharist

Peter Paul Rubens (d. 1640)

ca. 1630–32 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
The Virgin Adored by Saints (recto); Study of the Torso Belvedere (verso) by Peter Paul Rubens, The Metropolitan Museum of Art

The Virgin Adored by Saints (recto); Study of the Torso Belvedere (verso)

Peter Paul Rubens (d. 1640)

1597–1640 · Pen and brown ink (recto); red chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Tabernacle door with the risen Christ by Pietro Paolo Nardi, The Metropolitan Museum of Art

Tabernacle door with the risen Christ

Pietro Paolo Nardi

mid-17th century · Bronze, fire-gilt; iron (lock mechanism)

Cleared · Public Domain

live
The MetSimilar
Pendant with Scenes from the Life of Christ and Two Saints by Reinhold Vasters, The Metropolitan Museum of Art

Pendant with Scenes from the Life of Christ and Two Saints

Reinhold Vasters (d. 1909)

ca. 1870–95 · Verre eglomisé with enameled gold mounts and with a pendant pearl

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Surrexit (Christ is risen)

Sybil Andrews (d. 1992)

1957 · Color linocut

In copyright

live
The MetSimilar

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