
Two Seated Male Figures Within Spandrels
Andrea Schiavone (Andrea Meldola) (d. 1563)
16th century · Pen and brown ink, brush and brown wash, highlighted with white gouache, reworked with red chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
442 ms. The Metropolitan Museum of Art, Collection API (Open Access)
327 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 15 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Two Seated Male Figures Within Spandrels
Andrea Schiavone (Andrea Meldola) (d. 1563)
16th century · Pen and brown ink, brush and brown wash, highlighted with white gouache, reworked with red chalk
Cleared · Public Domain
live
Camera Work: The Riva Schiavoni, Venice
J. Craig Annan (d. 1946)
1904 · Bound Volume, photogravure
Cleared · CC0
live
Torch-bearing arm
Unrecorded maker
late 16th century? · Bronze, traces of gilding
Cleared · Public Domain
live
San Biagio
James McNeill Whistler (d. 1903)
1879–80 · Etching and drypoint, printed in dark brown ink on fine cream laid paper; tenth state of seventeen (Glasgow)
Cleared · Public Domain
live
The Riva, No. 1 (The Riva)
James McNeill Whistler (d. 1903)
1879–80 · Etching and drypoint, printed in black ink on medium weight ivory laid paper; fourth state of four (Glasgow)
Cleared · Public Domain
live
The Riva, No. 2
James McNeill Whistler (d. 1903)
1879–80 · Etching and drypoint, printed in dark brown ink on fine buff laid paper; only state (Glasgow)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Standing Female Figure (St. Anne; Cartoon for a Painting)
Vittore Carpaccio (d. 1526)
ca. 1502–4 · Pen and brown ink, brush and gray-brown wash, over charcoal underdrawing; outlines pricked for transfer, on two glued sheets of paper with overlapping joins
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of James NcNeill Whistler
Charles Abel Corwin (d. 1938)
1880 · Monotype
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Riva (Upright)
Frank Duveneck (d. 1919)
1880 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Riva degli Schiavoni, Number One (Oblong Plate)
Frank Duveneck (d. 1919)
1880 · Etching and roulette
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Grand Canal, Venice
Frank Duveneck (d. 1919)
1883 · Etching, printed with plate tone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Venice
Otto Henry Bacher (d. 1909)
ca. 1880–82 · Etching, printed in brown ink
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.