Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    442 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    327 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 15 matching records exist across the two collections.

Results for "The Riva Schiavoni, Venice"12 records

Institutions answered newest-first by record, interleaved

Two Seated Male Figures Within Spandrels by Andrea Schiavone (Andrea Meldola), The Metropolitan Museum of Art

Two Seated Male Figures Within Spandrels

Andrea Schiavone (Andrea Meldola) (d. 1563)

16th century · Pen and brown ink, brush and brown wash, highlighted with white gouache, reworked with red chalk

Cleared · Public Domain

live
The MetSimilar
Camera Work: The Riva Schiavoni, Venice by J. Craig Annan, The Cleveland Museum of Art

Camera Work: The Riva Schiavoni, Venice

J. Craig Annan (d. 1946)

1904 · Bound Volume, photogravure

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Torch-bearing arm by an unrecorded maker, The Metropolitan Museum of Art

Torch-bearing arm

Unrecorded maker

late 16th century? · Bronze, traces of gilding

Cleared · Public Domain

live
The MetSimilar
San Biagio by James McNeill Whistler, The Metropolitan Museum of Art

San Biagio

James McNeill Whistler (d. 1903)

1879–80 · Etching and drypoint, printed in dark brown ink on fine cream laid paper; tenth state of seventeen (Glasgow)

Cleared · Public Domain

live
The MetSimilar
The Riva, No. 1 (The Riva) by James McNeill Whistler, The Metropolitan Museum of Art

The Riva, No. 1 (The Riva)

James McNeill Whistler (d. 1903)

1879–80 · Etching and drypoint, printed in black ink on medium weight ivory laid paper; fourth state of four (Glasgow)

Cleared · Public Domain

live
The MetSimilar
The Riva, No. 2 by James McNeill Whistler, The Metropolitan Museum of Art

The Riva, No. 2

James McNeill Whistler (d. 1903)

1879–80 · Etching and drypoint, printed in dark brown ink on fine buff laid paper; only state (Glasgow)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Standing Female Figure (St. Anne; Cartoon for a Painting)

Vittore Carpaccio (d. 1526)

ca. 1502–4 · Pen and brown ink, brush and gray-brown wash, over charcoal underdrawing; outlines pricked for transfer, on two glued sheets of paper with overlapping joins

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of James NcNeill Whistler

Charles Abel Corwin (d. 1938)

1880 · Monotype

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Riva (Upright)

Frank Duveneck (d. 1919)

1880 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Riva degli Schiavoni, Number One (Oblong Plate)

Frank Duveneck (d. 1919)

1880 · Etching and roulette

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Grand Canal, Venice

Frank Duveneck (d. 1919)

1883 · Etching, printed with plate tone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Venice

Otto Henry Bacher (d. 1909)

ca. 1880–82 · Etching, printed in brown ink

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.