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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    306 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    296 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 22 matching records exist across the two collections.

Results for "The River God Tiber (Study for a fresco,"12 records

Institutions answered newest-first by record, interleaved

Saint Francis Before the Bishop by Niccolò Solimani (Niccolò da Verona), The Metropolitan Museum of Art

Saint Francis Before the Bishop

Niccolò Solimani (Niccolò da Verona)

ca. 1469 · Pen and light and dark brown ink, brown wash, over traces of black chalk.

Cleared · Public Domain

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The MetSimilar
The River God Tiber (Study for a fresco, Miracle of the Snow, or the Foundation of Santa Maria Maggiore, Rome in the Canigiani chapel of S. Felicita, Florence) by Bernardino Poccetti, The Cleveland Museum of Art

The River God Tiber (Study for a fresco, Miracle of the Snow, or the Foundation of Santa Maria Maggiore, Rome in the Canigiani chapel of S. Felicita, Florence)

Bernardino Poccetti (d. 1612)

1589 · Drawing, black chalk on antique laid paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Study for the Allegory of San Gimignano and Colle Val d'Elsa by Jacopo Zucchi, The Metropolitan Museum of Art

Study for the Allegory of San Gimignano and Colle Val d'Elsa

Jacopo Zucchi (d. 1596)

1563 · Pen and brown ink, highlighted with white gouache, traces of squaring in black chalk (on top of drawing surface), over traces of black chalk on blue paper

Cleared · Public Domain

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The MetSimilar
Study of Two Heads by Peter Paul Rubens, The Metropolitan Museum of Art

Study of Two Heads

Peter Paul Rubens (d. 1640)

ca. 1609 · Oil on wood

Cleared · Public Domain

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The MetSimilar
God the Father with Angels Holding Symbols of the Passion by Pietro da Cortona (Pietro Berrettini), The Metropolitan Museum of Art

God the Father with Angels Holding Symbols of the Passion

Pietro da Cortona (Pietro Berrettini) (d. 1669)

1647–51 · Black chalk

Cleared · Public Domain

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The MetSimilar
A Wind God by Pietro da Cortona (Pietro Berrettini), The Metropolitan Museum of Art

A Wind God

Pietro da Cortona (Pietro Berrettini) (d. 1669)

1669 · Black chalk, highlighted with white, on brownish paper

Cleared · Public Domain

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The MetSimilar
Seated Allegorical Figure of Divine Wisdom by Carlo Maratti, The Metropolitan Museum of Art

Seated Allegorical Figure of Divine Wisdom

Carlo Maratti (d. 1713)

1674–77 · Red chalk

Cleared · Public Domain

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The MetSimilar
Study for a Ceiling Decoration: Coronation of the Virgin (recto); Female Head (verso) by Giacinto Brandi, The Metropolitan Museum of Art

Study for a Ceiling Decoration: Coronation of the Virgin (recto); Female Head (verso)

Giacinto Brandi (d. 1691)

1680 · Red chalk, brush and brown wash, highlighted with white, on brownish paper (recto); red chalk study of a female head (verso)

Cleared · Public Domain

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The MetSimilar
Reclining River God by Louis de Boullogne the Younger, The Metropolitan Museum of Art

Reclining River God

Louis de Boullogne the Younger (d. 1733)

1694–1715 · Black chalk, heightened with white chalk on blue paper

Cleared · Public Domain

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The MetSimilar
Saint Joseph Presented by the Virgin to the Holy Trinity by Corrado Giaquinto, The Metropolitan Museum of Art

Saint Joseph Presented by the Virgin to the Holy Trinity

Corrado Giaquinto (d. 1766)

ca. 1735 · Red chalk, pen and brown ink, brush and brown wash, highlighted with white

Cleared · Public Domain

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The MetSimilar
Seated River God, Nymph with an Oar, and Putto by Giovanni Battista Tiepolo, The Metropolitan Museum of Art

Seated River God, Nymph with an Oar, and Putto

Giovanni Battista Tiepolo (d. 1770)

1696–1770 · Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Seated Male Nude (Study for the Martyrdom of St. Lawrence)

Bronzino (Agnolo di Cosimo di Mariano) (d. 1572)

1565–69 · Black chalk, glued onto secondary support

In copyright

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The MetSimilar

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