
Saint Sebastian in a Landscape
Italian, Ferrara (d. 1499)
late 15th century · Pen and brown ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
4562 ms. The Metropolitan Museum of Art, Collection API (Open Access)
343 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 552 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Saint Sebastian in a Landscape
Italian, Ferrara (d. 1499)
late 15th century · Pen and brown ink
Cleared · Public Domain
live
A Road in Louveciennes
Auguste Renoir (d. 1919)
ca. 1870 · Oil on canvas
Cleared · Public Domain
live
The Road from Moret to Saint-Mammès
Alfred Sisley (d. 1899)
1883–85 · Oil on canvas
Cleared · Public Domain
live
The Road from Versailles to Louveciennes
Alfred Sisley (d. 1899)
probably 1879 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Preacher preaching to a large crowd from a pulpit, from Chaires de prédicateurs, plate 2, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
published 1659 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Christ Driving the Money Changers from the Temple, from a Series of six prints depicting the Life of Christ, plate 4, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Last Supper, from a Series of six prints depicting the Life of Christ, plate 6, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vase in profile with a captive bound to the neck of the vase, from Vases, plate 2, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; third state of three (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bound Image Supplement with Plates illustrating "Théâtre de l'Odéon, Paris"
Anonymous, French, 18th century (d. 1800)
ca. 1785 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Le Gomer" dans le Port de Portsmouth ("Le Gomer" in Portsmouth Harbor)
Chaillou, Paris (d. 1850)
1846 · Lithograph with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Road from Vienna to Paris, bound in L'Oeuvre original de Vivant Denon. Collection de eaux-fortes, Volume 1
Baron Dominique Vivant Denon (d. 1825)
1873 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Ballspende" souvenir (book and decorative case) from the 1901 Vienna City Ball
Koloman Moser (d. 1918)
1901 · Champleve enamel, copper, velvet, rope, cloth-bound book
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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