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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    340 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    443 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 19 matching records exist across the two collections.

Results for "The Round Passion: Christ Presented to t"12 records

Institutions answered newest-first by record, interleaved

Christ presented to Pilate by henchmen, from "The Passion of Christ", after Dürer by Marcantonio Raimondi, The Metropolitan Museum of Art

Christ presented to Pilate by henchmen, from "The Passion of Christ", after Dürer

Marcantonio Raimondi (d. 1534)

ca. 1500–34 · Engraving; second state of three

Cleared · Public Domain

live
The MetSimilar
Ecce Homo: Christ wearing the crown of thorns standing in a loggia presented to a crowd, from "The Passion of Christ", after Dürer by Marcantonio Raimondi, The Metropolitan Museum of Art

Ecce Homo: Christ wearing the crown of thorns standing in a loggia presented to a crowd, from "The Passion of Christ", after Dürer

Marcantonio Raimondi (d. 1534)

ca. 1500–34 · Engraving; second state of three

Cleared · Public Domain

live
The MetSimilar
Christ and the Two Thieves Crucified by Michelangelo Buonarroti, The Metropolitan Museum of Art

Christ and the Two Thieves Crucified

Michelangelo Buonarroti (d. 1564)

ca. 1560–70 · Bronze

Cleared · Public Domain

live
The MetSimilar
La Présentation au Peuple (The Presentation of Christ to the People), from "La Grande Passion" (The Large Passion) by Jacques Callot, The Metropolitan Museum of Art

La Présentation au Peuple (The Presentation of Christ to the People), from "La Grande Passion" (The Large Passion)

Jacques Callot (d. 1635)

ca. 1619–24 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
La Présentation au Peuple (The Presentation of Christ to the People), from "La Grande Passion" (The Large Passion) by Jacques Callot, The Metropolitan Museum of Art

La Présentation au Peuple (The Presentation of Christ to the People), from "La Grande Passion" (The Large Passion)

Jacques Callot (d. 1635)

ca. 1619–24 · Etching and engraving; second state of three (Lieure)

Cleared · Public Domain

live
The MetSimilar
Oval Medallions and Rondels, from "Variae tum Passionis Christi tum vitae beatae Mariae Virginis; Les Mystères de la Passion suite appelée aussi Mystères de la Vie de Jésus et Mystères de la Vie de Jésus et de la Vie de la Ste. Vierge" (The Mysteries of the Passion, also called the Mysteries of the Life of Jesus, and the Mysteries of the Life of Jesus and of the Virgin) by Jacques Callot, The Metropolitan Museum of Art

Oval Medallions and Rondels, from "Variae tum Passionis Christi tum vitae beatae Mariae Virginis; Les Mystères de la Passion suite appelée aussi Mystères de la Vie de Jésus et Mystères de la Vie de Jésus et de la Vie de la Ste. Vierge" (The Mysteries of the Passion, also called the Mysteries of the Life of Jesus, and the Mysteries of the Life of Jesus and of the Virgin)

Jacques Callot (d. 1635)

ca. 1631 · Etching and engraving; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
Armor from a Small Garniture for Field and Tournament by Kunz Lochner, The Metropolitan Museum of Art

Armor from a Small Garniture for Field and Tournament

Kunz Lochner (d. 1567)

dated 1548, with later restorations · Steel, leather, copper alloy, textile

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Septem Psalmi Davidici (Seven Psalms of David)

Melchior Model (d. 1608)

1608 · Engraving, contemporary coloring

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Présentation au Peuple (The Presentation of Christ to the People), from "La Grande Passion" (The Large Passion)

Jacques Callot (d. 1635)

ca. 1619–24 · Etching and engraving; first state of four (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate Containing Three Oval Medallions, from "Variae tum Passionis Christi tum vitae beatae Mariae Virginis; Les Mystères de la Passion suite appelée aussi Mystères de la Vie de Jésus et Mystères de la Vie de Jésus et de la Vie de la Ste. Vierge" (The Mysteries of the Passion, also called the Mysteries of the Life of Jesus, and the Mysteries of the Life of Jesus and of the Virgin)

Jacques Callot (d. 1635)

ca. 1631 · Etching and engraving; second state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate Containing Three Oval Medallions, from "Variae tum Passionis Christi tum vitae beatae Mariae Virginis; Les Mystères de la Passion suite appelée aussi Mystères de la Vie de Jésus et Mystères de la Vie de Jésus et de la Vie de la Ste. Vierge" (The Mysteries of the Passion, also called the Mysteries of the Life of Jesus, and the Mysteries of the Life of Jesus and of the Virgin)

Jacques Callot (d. 1635)

ca. 1631 · Etching and engraving; second state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for "Beatitude" Window, Arlington Street Church, Boston, Massachusetts

Louis C. Tiffany (d. 1933)

1905 · Transparent and opaque watercolor, ink, and graphite on paper, mounted on paperboard with window mat and textile-lined cover

In copyright

live
The MetSimilar

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