
The Sacrifice of Polyxena from a set of The Story of Troy
Bernard Salomon (d. 1561)
ca. 1625 · Cotton, embroidered with silk and gilt-paper-wrapped thread, pigment
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
278 ms. The Metropolitan Museum of Art, Collection API (Open Access)
247 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 557 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Sacrifice of Polyxena from a set of The Story of Troy
Bernard Salomon (d. 1561)
ca. 1625 · Cotton, embroidered with silk and gilt-paper-wrapped thread, pigment
Cleared · Public Domain
live
The Sacrifice of Polyxena
Gerard de Lairesse (d. 1711)
1667 · Print, etching
Cleared · CC0
live
The Sacrifice of Polyxena
Charles Le Brun (d. 1690)
1647 · Oil on canvas
Cleared · Public Domain
live
The Sacrifice of Polyxena
Giovanni Francesco Romanelli (d. 1662)
1662 · Oil on canvas
Cleared · Public Domain
live
The Sacrifice of Polyxena, from "Bacchanals and Histories"
Francesco Fontebasso (d. 1769)
1744 · Etching
Cleared · Public Domain
live
The Sacrifice of Polyxena, after Pietro da Cortona
Jean Robert Ango (d. 1773)
ca. 1759–70 · Black chalk
Cleared · Public Domain
live
The Sacrifice of Polyxena
Giovanni David (d. 1790)
1776 · Etching and aquatint
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 122: The Sacrifice of Polyxena (Polyxena manibus achillis immolatur), from Ovid's 'Metamorphoses'
Antonio Tempesta (d. 1630)
1606 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 122: The Sacrifice of Polyxena, from Ovid's 'The Metamorphoses'
Antonio Tempesta (d. 1630)
1606 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Sacrifice of Polyxena (Polyxena manibus Achilles immolatur), plate 122 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)
Antonio Tempesta (d. 1630)
Published after 1606 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Sacrifice of Polyxena, from a series of twenty-two plates depicting mythological subjects, plate 18
Jean Le Pautre (d. 1682)
17th century · Etching; first state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Sacrifice of Polyxena, plate 18 from a series of twenty-two plates depicting mythological subjects, bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.