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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    459 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    340 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 79 matching records exist across the two collections.

Results for "The Satyr and the Sword (from John Ogilb"8 records

Institutions answered newest-first by record, interleaved

Design for a Sword Pommel with a Crouching Satyr by Theodor de Bry, The Metropolitan Museum of Art

Design for a Sword Pommel with a Crouching Satyr

Theodor de Bry (d. 1598)

1592–93 · Engraving and blackwork

Cleared · Public Domain

live
The MetSimilar
Sword by an unrecorded maker, The Metropolitan Museum of Art

Sword

Unrecorded maker

1795–1810 · Silver

Cleared · Public Domain

live
The MetSimilar
Sword and Scabbard Presented to Captain Samuel Chester Reid (1783–1861) by John Targee, The Metropolitan Museum of Art

Sword and Scabbard Presented to Captain Samuel Chester Reid (1783–1861)

John Targee (d. 1850)

1815 · Gold, brass, steel

Cleared · Public Domain

live
The MetSimilar
Cavalry Officer's Saber by John Lynch, The Metropolitan Museum of Art

Cavalry Officer's Saber

John Lynch (d. 1848)

ca. 1810 · Steel, silver, wood, gold

Cleared · Public Domain

live
The MetSimilar
Classical Female Figure; Satyr and Dog (from Sketchbook) by John Quincy Adams Ward, The Metropolitan Museum of Art

Classical Female Figure; Satyr and Dog (from Sketchbook)

John Quincy Adams Ward (d. 1910)

ca. 1860 · Pen and brown (possibly iron-gall) ink on smooth off-white wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Satyr and the Traveler (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)

Wenceslaus Hollar (d. 1677)

1665 · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Satyr and the Sword (from John Ogilby, "Aesopics or a Second Colllection of Fables," 1668)

Wenceslaus Hollar (d. 1677)

1668 · Etching; first or second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Comus. A Mask

John Milton (d. 1674)

1858 · Wood engraving

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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