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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    339 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    323 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 91 matching records exist across the two collections.

Results for "The Savoy"12 records

Institutions answered newest-first by record, interleaved

Louise of Savoy, Countess of Angoulême (1476–ca. 1531) by an unrecorded maker, The Metropolitan Museum of Art

Louise of Savoy, Countess of Angoulême (1476–ca. 1531)

Unrecorded maker

cast ca. 1505 · Bronze, light olive brown patina, cast

Cleared · Public Domain

live
The MetSimilar
Leaf from the Hours of Duke Louis of Savoy: Saints Nereus and Achilleus by an unrecorded maker, The Cleveland Museum of Art

Leaf from the Hours of Duke Louis of Savoy: Saints Nereus and Achilleus

Unrecorded maker

mid-1400s · Manuscript, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Close Helmet for Foot Combat by the Master of the Castle Mark, The Metropolitan Museum of Art

Close Helmet for Foot Combat

the Master of the Castle Mark (d. 1645)

ca. 1600–1610 · Steel, gold, leather

Cleared · Public Domain

live
The MetSimilar
Mount Maudit, Savoy by Auguste-Rosalie Bisson, The Cleveland Museum of Art

Mount Maudit, Savoy

Auguste-Rosalie Bisson (d. 1900)

1860 · Photograph, albumen print from wet collodion negative

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Festival in Turin, October 1650 by G. Boetto, The Metropolitan Museum of Art

Festival in Turin, October 1650

G. Boetto (d. 1700)

1650 · Etching

Cleared · Public Domain

live
The MetSimilar
Youth (from Chateau de Chaumont set) by an unrecorded maker, The Cleveland Museum of Art

Youth (from Chateau de Chaumont set)

Unrecorded maker

1512–15 · Tapestry, silk and wool; tapestry weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Chandelier by an unrecorded maker, The Metropolitan Museum of Art

Chandelier

Unrecorded maker

mid-18th century · Rock crystal and steel

Cleared · Public Domain

live
The MetSimilar
Savoyard Helmet (Todenkopf) by an unrecorded maker, The Cleveland Museum of Art

Savoyard Helmet (Todenkopf)

Unrecorded maker

c. 1600–20 · Arms and Armor, steel, blackened

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Savoy Pigeons by James McNeill Whistler, The Metropolitan Museum of Art

The Savoy Pigeons

James McNeill Whistler (d. 1903)

1896 · Transfer lithograph; only state (Chicago), from the published edition printed from a supplementary stone; printed in black ink on heavy cream laid paper

Cleared · Public Domain

live
The MetSimilar
Chateau de Chaumont Set by an unrecorded maker, The Cleveland Museum of Art

Chateau de Chaumont Set

Unrecorded maker

1512–1515 · Tapestry, silk and wool; tapestry weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Prospectus for "The Savoy"

Aubrey Vincent Beardsley (d. 1898)

December 1895 · Illustrations: lIthographs and letterpress

In copyright

live
The MetSimilar
Cassone by an unrecorded maker, The Cleveland Museum of Art

Cassone

Unrecorded maker

early 1500s · Furniture and woodwork, walnut, painted and gilded

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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