Tomb Effigy Bust of Marie de France (1327-41), daughter of Charles IV of France and Jeanne d'Evreux
Jean de Liège (d. 1381)
ca. 1381 · Marble with lead inlays
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
330 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
380 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 69 matching records exist across the two collections.
Results for "The Sculptor at Rest IV, from the Vollar"11 records
Institutions answered newest-first by record, interleaved
Seated Hercules in the act of shooting at the stymphalian birds
Vittore Gambello (d. 1537)
ca. 1515–20 · Bronze
Cleared · Public Domain
liveThe MetSimilar
The Holy Family with Two Angels
Alessandro Algardi (d. 1654)
1598–1654 · Black chalk; framing outlines in pen and dark brown ink
Cleared · Public Domain
liveThe MetSimilar
The young Hadrian
Guglielmo della Porta (d. 1577)
late 16th or 17th century · Bronze, on a later stone base
Cleared · Public Domain
liveThe MetSimilar
Rebecca at the Well
Chauncey Bradley Ives (d. 1894)
1854; carved 1866 · Marble
Cleared · Public Domain
liveThe MetSimilar
Dancer at Rest, Hands Behind Her Back, Right Leg Forward
Edgar Degas (d. 1917)
modeled possibly ca. 1895, cast 1920 · Bronze
Cleared · Public Domain
liveThe MetSimilar
Dancer at Rest, Hands on Her Hips, Left Leg Forward
Edgar Degas (d. 1917)
modeled perhaps ca. 1878, cast 1920 · Bronze
Cleared · Public Domain
liveThe MetSimilar
Dressed Dancer at Rest, Hands Behind Her Back, Right Leg Forward (Second State)
Edgar Degas (d. 1917)
modeled possibly ca. 1895, cast 1920 · Bronze
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Her Majesty the Queen, from the Bust of Joseph Durham, from "The Art Journal," opposite p. 4
Richard Austin Artlett (d. 1873)
January 1857 · Engraving and stipple
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Sculptor at Rest II, from "The Vollard Suite"
Pablo Picasso (d. 1973)
1933, printed 1939 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Sculptor at Rest IV, from the Vollard Suite
Pablo Picasso (d. 1973)
1933, printed 1939 · Etching
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.