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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    506 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    555 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "The Second Nakajima Mihoemon as a Man St"10 records

Institutions answered newest-first by record, interleaved

Alcibiades Interrupting the Symposium (recto); Sketches of the Baptism of Christ and of a Man (verso) by Peter Paul Rubens, The Metropolitan Museum of Art

Alcibiades Interrupting the Symposium (recto); Sketches of the Baptism of Christ and of a Man (verso)

Peter Paul Rubens (d. 1640)

ca. 1601–02 (recto); ca. 1601 (verso) · Pen and brown ink, over black chalk

Cleared · Public Domain

live
The MetSimilar
St. Jerome Reading in an Italian Landscape by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

St. Jerome Reading in an Italian Landscape

Rembrandt (Rembrandt van Rijn) (d. 1669)

ca. 1653 · Etching, drypoint, and engraving on oatmeal paper; second state of two

Cleared · Public Domain

live
The MetSimilar
The Second Nakajima Mihoemon as a Man Standing with Head Bent Forward by Katsukawa Shunshō 勝川春章, The Metropolitan Museum of Art

The Second Nakajima Mihoemon as a Man Standing with Head Bent Forward

Katsukawa Shunshō 勝川春章 (d. 1792)

1768 or 1769 · Woodblock print (nishiki-e); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Man by an unrecorded maker, The Metropolitan Museum of Art

Man

Unrecorded maker

second half 18th century · Polychromed terracotta head and wooden limbs; body of wire wrapped in tow; cotton and silk garments with gold buttons as well as buttons wrapped in silver thread

Cleared · Public Domain

live
The MetSimilar
Hampstead Heath with St. Paul's in the Distance: Vignette by David Lucas, The Metropolitan Museum of Art

Hampstead Heath with St. Paul's in the Distance: Vignette

David Lucas (d. 1881)

1831 · Mezzotint on chine collé; lettered proof; second state of two

Cleared · Public Domain

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The MetSimilar
Plate 15: Robert Macaire, travelling salesman, from 'Caricaturana,' published in Les Robert Macaires by Honoré Daumier, The Metropolitan Museum of Art

Plate 15: Robert Macaire, travelling salesman, from 'Caricaturana,' published in Les Robert Macaires

Honoré Daumier (d. 1879)

1838 · Lithograph on wove paper; second state of two (Delteil)

Cleared · Public Domain

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The MetSimilar
Plate 16: Robert Macaire matrimonial agent, from 'Caricaturana,' published in Les Robert Macaires by Honoré Daumier, The Metropolitan Museum of Art

Plate 16: Robert Macaire matrimonial agent, from 'Caricaturana,' published in Les Robert Macaires

Honoré Daumier (d. 1879)

1838 · Lithograph on wove paper; second state of two (Delteil)

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A View of Cooke's Tomb in St. Paul's Churchyard, New York

John Rubens Smith (d. 1849)

1821 · Aquatint with some engraving on off-white wove paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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