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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    844 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    451 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "The Seer"11 records

Institutions answered newest-first by record, interleaved

Ivory decorative plaque by an unrecorded maker, The Metropolitan Museum of Art

Ivory decorative plaque

Unrecorded maker

2nd half of 7th century BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
The Prophets:  Jeremiah by Baccio Baldini, The Cleveland Museum of Art

The Prophets: Jeremiah

Baccio Baldini (d. 1487)

c. 1470–75 · Print, engraving

Cleared · CC0

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Cleveland Museum of ArtSimilar
Wall painting from Room H of the Villa of P. Fannius Synistor at Boscoreale by an unrecorded maker, The Metropolitan Museum of Art

Wall painting from Room H of the Villa of P. Fannius Synistor at Boscoreale

Unrecorded maker

ca. 50–40 BCE · Fresco

Cleared · Public Domain

live
The MetSimilar
The Sibyls:  The Phrygian Sibyl by Francesco Rosselli, The Cleveland Museum of Art

The Sibyls: The Phrygian Sibyl

Francesco Rosselli (d. 1513)

c. 1470–80 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Effigy urn by Zapotec (Be'ena'a) artist(s), The Metropolitan Museum of Art

Effigy urn

Zapotec (Be'ena'a) artist(s)

350–600 CE · Ceramic, pigments

Cleared · Public Domain

live
The MetSimilar
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso) by Michelangelo Buonarroti, The Metropolitan Museum of Art

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)

Michelangelo Buonarroti (d. 1564)

ca. 1510–11 · Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)

Cleared · Public Domain

live
The MetSimilar
The Funeral Procession of Count Ernst Casimir, Stadtholder of Friesland and Groningen, that took place in Leeuwarden on January 3, 1633 by Jan Herman, The Metropolitan Museum of Art

The Funeral Procession of Count Ernst Casimir, Stadtholder of Friesland and Groningen, that took place in Leeuwarden on January 3, 1633

Jan Herman (d. 1650)

1634 · Etching and engraving; twenty double-page plates and three double pages of letterpress text, bound in mottled calf gilt binding, covers panelled in gilt with central star design in gilt with turquoise and black morocco inlays.

Cleared · Public Domain

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The MetSimilar
The Sacrifice of Iphigenia by Pietro Testa, The Metropolitan Museum of Art

The Sacrifice of Iphigenia

Pietro Testa (d. 1650)

ca. 1640–42 · Etching with drypoint

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Read The Sun

Louis John Rhead (d. 1926)

1895 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Seer

William Sergeant Kendall (d. 1938)

1906 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

In the Heart of the Seer

John Beerman (d. 9999)

1986 · Oil on Masonite and wood

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.