Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    281 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    335 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 30 matching records exist across the two collections.

Results for "The Seven Deadly Sins: Sloth"12 records

Institutions answered newest-first by record, interleaved

Avarice (Avaritia), from "The Seven Deadly Sins" by Pieter van der Heyden, The Metropolitan Museum of Art

Avarice (Avaritia), from "The Seven Deadly Sins"

Pieter van der Heyden (d. 1569)

1558 · Engraving; first state of two

Cleared · Public Domain

live
The MetSimilar
The Seven Deadly Sins: Sloth by James Ensor, The Cleveland Museum of Art

The Seven Deadly Sins: Sloth

James Ensor (d. 1949)

1902 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Sloth (Desidia), from "The Seven Deadly Sins" by Pieter van der Heyden, The Metropolitan Museum of Art

Sloth (Desidia), from "The Seven Deadly Sins"

Pieter van der Heyden (d. 1569)

1558 · Engraving

Cleared · Public Domain

live
The MetSimilar
Sloth, from "Seven Deadly Sins" by Léon Davent, The Metropolitan Museum of Art

Sloth, from "Seven Deadly Sins"

Léon Davent (d. 1556)

ca. 1550–55 · Etching

Cleared · Public Domain

live
The MetSimilar
Gluttony from a set of The Seven Deadly Sins by Pieter Coecke van Aelst, The Metropolitan Museum of Art

Gluttony from a set of The Seven Deadly Sins

Pieter Coecke van Aelst (d. 1550)

Between ca. 1550 and 1560 · Wool, silk, silver-gilt thread 19-23 warps per inch, 8-10 per cm.

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Seven Deadly Sins

Marc Chagall (d. 1985)

1925, published 1926 · Prints a, b, c, e, g, h, j: etching and drypoint Prints d, f: etching, drypoint, aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Seven Deadly Sins: Lust

Paul Cadmus (d. 1999)

1945 · Egg tempera on Masonite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Seven Deadly Sins: Pride

Paul Cadmus (d. 1999)

1945 · Egg tempera on gessoed linen over Masonite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Seven Deadly Sins: Anger

Paul Cadmus (d. 1999)

1947 · Egg tempera on Masonite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Seven Deadly Sins: Envy

Paul Cadmus (d. 1999)

1947 · Egg tempera on Masonite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Seven Deadly Sins: Sloth

Paul Cadmus (d. 1999)

1947 · Egg tempera on Masonite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Seven Deadly Sins: Avarice

Paul Cadmus (d. 1999)

1949 · Egg tempera on cardboard

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.