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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    285 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    347 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 43 matching records exist across the two collections.

Results for "The Shepherd's Week. In Six Pastorals"12 records

Institutions answered newest-first by record, interleaved

Bamboo in the Four Seasons by Tosa Mitsunobu, The Metropolitan Museum of Art

Bamboo in the Four Seasons

Tosa Mitsunobu (d. 1525)

late 15th–early 16th century · Pair of six-panel screens; ink, color, and gold leaf on paper

Cleared · Public Domain

live
The MetSimilar
Story of Gombaut and Macée by an unrecorded maker, The Metropolitan Museum of Art

Story of Gombaut and Macée

Unrecorded maker

ca. 1600 · Wool and silk on canvas

Cleared · Public Domain

live
The MetSimilar
Design for the Decoration of the Altar to be erected during the Holy Week, Dedicated to Monseigneur Christophe de Beaumont, Archbishop of Paris by Louis Jean Desprez, The Metropolitan Museum of Art

Design for the Decoration of the Altar to be erected during the Holy Week, Dedicated to Monseigneur Christophe de Beaumont, Archbishop of Paris

Louis Jean Desprez (d. 1804)

1769 · Etching

Cleared · Public Domain

live
The MetSimilar
Bishop, from "Dance of Death" by Wenceslaus Hollar, The Metropolitan Museum of Art

Bishop, from "Dance of Death"

Wenceslaus Hollar (d. 1677)

[1651] late 18th century printing · Etching; second state of four

Cleared · Public Domain

live
The MetSimilar
Daphnis Running toward Chloe by baron François Gérard, The Metropolitan Museum of Art

Daphnis Running toward Chloe

baron François Gérard (d. 1837)

ca. 1798 · Black chalk, brush with brown and gray wash, heightened with white gouache, on light tan wove paper

Cleared · Public Domain

live
The MetSimilar
The Ploughman by Edward Calvert, The Metropolitan Museum of Art

The Ploughman

Edward Calvert (d. 1833)

1827 · Wood engraving; third state of three

Cleared · Public Domain

live
The MetSimilar
The Rising Moon by Samuel Palmer, The Metropolitan Museum of Art

The Rising Moon

Samuel Palmer (d. 1881)

ca. 1855 · Etching; sixth or between sixth and seventh state of nine

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Shepherd's Week. In Six Pastorals

John Gay (d. 1732)

1714 · Illustrations: engraving, etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Needlework picture (“The Shepherd’s Grove”)

Agnes Yeakle (d. 1873)

1811 · Silk embroidery on linen, with paper and paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Theoremetical System of Painting, or Modern Plans, Fully Explained, in Six Lessons; and Illustrated with Eight Engravings, by Which a Child of Tender Years Can Be Taught This Sublime Art in One Week; To Which are Added, The Theory and Preactice of the Old School, In the introduction of Landscape and Figure Painting; WIth Many Valuable Receipts on the Subject

Matthew D. Finn (d. 1880)

1830 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Parables of Our Lord and Saviour Jesus Christ

Sir John Everett Millais (d. 1896)

1864 · Illustrations: wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Parables of Our Lord and Saviour Jesus Christ

Sir John Everett Millais (d. 1896)

1864 · Illustrations: wood engraving

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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