Landscape with a Road Leading Towards a Settlement on a Hill
Joos de Momper the Younger (d. 1635)
late 16th–mid 17th century · Pen and brown ink, blue watercolour
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
1231 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
330 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 55 matching records exist across the two collections.
Results for "The Shepherd Asleep On a Little Hill"12 records
Institutions answered newest-first by record, interleaved
The Shepherd Asleep On a Little Hill
Anthonie Waterloo (d. 1690)
17th century · Etching; first state of three
Cleared · Public Domain
liveThe MetSimilar
Plate 3: a shepherd seated on a hill, a cow and two sheep at left, and a town in right background, from 'Landscapes in the manner of Gaspar Dughet'
Franz Joachim Beich (d. 1745)
ca. 1700–25 · Etching; second state of two
Cleared · Public Domain
liveThe MetSimilar
Dancing Minstrel or Gaddi Shepherd
Unrecorded maker
18th century · Black ink, lead white, washes in dilute red and red lead, black chalk underdrawing on lightweight machine made paper
Cleared · Public Domain
liveThe MetSimilar
Hind Head Hill, on the Portsmouth Road (Liber Studiorum, part V, plate 25)
Joseph Mallord William Turner (d. 1851)
January 1, 1811 · Etching, mezzotint and drypoint; fourth state of four (Finberg)
Cleared · Public Domain
liveThe MetSimilar
Hind Head Hill, On the Portsmouth Road, part V, plate 25 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
January 1, 1811 · Etching, mezzotint and drypoint; first state of four (Finberg)
Cleared · Public Domain
liveThe MetSimilar
Little Falls at Luzerne (No. 1 of The Hudson River Portfolio)
John Hill (d. 1850)
1822–23 · Aquatint printed in color with hand-coloring; first state of two
Cleared · Public Domain
liveThe MetSimilar
Child Asleep (The Rosebud)
Thomas Sully (d. 1872)
1841 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Christ Asleep during the Tempest
Eugène Delacroix (d. 1863)
ca. 1853 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Jalais Hill, Pontoise
Camille Pissarro (d. 1903)
1867 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dorf Little Falls (The Village of Little Falls, New York)
Albert Henry Payne (d. 1902)
ca. 1850 · Steel engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Mary Warner and Edeltrude on the Brow of a Hill]
Heinrich Kühn (d. 1944)
ca. 1908 · Autochrome
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.