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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    516 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    372 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 76 matching records exist across the two collections.

Results for "The Shoemaker"12 records

Institutions answered newest-first by record, interleaved

The Shoemaker by Abraham Bosse, The Metropolitan Museum of Art

The Shoemaker

Abraham Bosse (d. 1676)

1632–33 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
The Shoemaker by James McNeill Whistler, The Cleveland Museum of Art

The Shoemaker

James McNeill Whistler (d. 1903)

1896 · Print, lithograph

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Shoemaker by Adriaen van Ostade, The Metropolitan Museum of Art

The Shoemaker

Adriaen van Ostade (d. 1685)

1671 · Etching

Cleared · Public Domain

live
The MetSimilar
Figure 54: Abaissement volontaire de la mâchoire inférieure: mouvement inexpressif by Guillaume-Benjamin-Amand Duchenne, The Cleveland Museum of Art

Figure 54: Abaissement volontaire de la mâchoire inférieure: mouvement inexpressif

Guillaume-Benjamin-Amand Duchenne (d. 1875)

c. 1856, printed 1862 · Photograph, Albumen print from glass plate negative

Cleared · CC0

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Cleveland Museum of ArtSimilar
Broadside with 48 scenes depicting the story of Don Pedro the Cruel, or, the Shoemaker and the king by José María Marés, The Metropolitan Museum of Art

Broadside with 48 scenes depicting the story of Don Pedro the Cruel, or, the Shoemaker and the king

José María Marés (d. 1870)

1863 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
The Shoemaker by James McNeill Whistler, The Metropolitan Museum of Art

The Shoemaker

James McNeill Whistler (d. 1903)

1896 · Transfer lithograph with stumping; only state (Chicago); printed in black ink on medium weight ivory laid paper

Cleared · Public Domain

live
The MetSimilar
The Shoemaker (The Shoemaker, Dieppe) by James McNeill Whistler, The Metropolitan Museum of Art

The Shoemaker (The Shoemaker, Dieppe)

James McNeill Whistler (d. 1903)

1896 · Transfer lithograph with stumping; only state (Chicago); printed in black ink on grayish ivory laid China paper

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Famous Shoemaker

Cornelis Dusart (d. 1704)

n.d. · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Shoemaker, Barga

B. J. O. Nordfeldt (d. 1955)

1909 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shoes

Pierre Yantorny (d. 1936)

1914–19 · leather

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Shoemaker

Abe Ajay (d. 1998)

1935–43 · Color linocut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Shoemaker

Jacob Lawrence (d. 2000)

1945 · Watercolor and gouache over graphite on paper

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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