
The Shoemaker
Abraham Bosse (d. 1676)
1632–33 · Etching; second state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
160 ms. The Metropolitan Museum of Art, Collection API (Open Access)
344 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 76 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Shoemaker
Abraham Bosse (d. 1676)
1632–33 · Etching; second state of two
Cleared · Public Domain
live
Shoemaker (Le Cordonnier), from "Trades" (Les Métiers)
Abraham Bosse (d. 1676)
ca. 1632–33 · Etching; second state of two (Join-Lambert and Préaud)
Cleared · Public Domain
live
The Shoemaker
Adriaen van Ostade (d. 1685)
1671 · Etching
Cleared · Public Domain
live
Broadside with 48 scenes relating to life of the apprentice shoemaker
Antonio Bosch (d. 1880)
ca. 1860–70 · Wood engraving
Cleared · Public Domain
live
The Shoemaker
James McNeill Whistler (d. 1903)
1896 · Transfer lithograph with stumping; only state (Chicago); printed in black ink on medium weight ivory laid paper
Cleared · Public Domain
live
The Shoemaker (The Shoemaker, Dieppe)
James McNeill Whistler (d. 1903)
1896 · Transfer lithograph with stumping; only state (Chicago); printed in black ink on grayish ivory laid China paper
Cleared · Public Domain
live![[Merchants' Carnival Portrait: Ed Atkinson, Shoemaker, Circleville, Ohio] by O. H. Spencer, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-43423-163.jpg)
[Merchants' Carnival Portrait: Ed Atkinson, Shoemaker, Circleville, Ohio]
O. H. Spencer
1880s–1890s · Albumen silver print
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shoemaker composed of shoes and the tools of his trade, from "Costumes Grotesques"
Nicolas de Larmessin II (d. 1725)
ca. 1695 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Famous Shoemaker
Cornelis Dusart (d. 1704)
n.d. · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Shoemaker, Barga
B. J. O. Nordfeldt (d. 1955)
1909 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Shoemaker
Abe Ajay (d. 1998)
1935–43 · Color linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Shoemaker
Jacob Lawrence (d. 2000)
1945 · Watercolor and gouache over graphite on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.