
The Siege of a Fortress
Albrecht Dürer (d. 1528)
n.d. · Woodcut
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
949 ms. The Metropolitan Museum of Art, Collection API (Open Access)
1299 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 169 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Siege of a Fortress
Albrecht Dürer (d. 1528)
n.d. · Woodcut
Cleared · Public Domain
live
Siege Helmet
Unrecorded maker
ca. 1600–1650 · Steel
Cleared · Public Domain
live
Siege Helmet
Unrecorded maker
ca. 1650–1700 · Steel
Cleared · Public Domain
live
Grand'Garde (Souvenir of the Siege of Paris)
James Tissot (d. 1902)
1878 · Etching and drypoint on laid paper; only state
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Siege of Bommenede
Simon Wynhoutsz Frisius (d. 1628)
1615–16 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 5 at the top center, from "Le Siège de Breda" (The Siege of Breda)
Jacques Callot (d. 1635)
1628 · Etching; first state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 6 at the upper right, from "Le Siège de Breda" (The Siege of Breda)
Jacques Callot (d. 1635)
1628 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Siège d'York-Town (The Siege of Yorktown)
Jean-Mathias Fontaine (d. 1853)
1838–41 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Siège d'York-Town (The Siege of Yorktown)
Jean-Mathias Fontaine (d. 1853)
1838–41 · Etching and engraving on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Siege of Sebastopol
George Baxter (d. 1867)
ca. 1855 · Baxter process: aquatint key plate proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Siege of Memory
Federico Castellon (d. 1971)
1965 · Etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Siege of the Dealers
José Luis Cuevas (d. 2017)
1979 · Ink and colored pencil on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.