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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    246 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    308 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 142 matching records exist across the two collections.

Results for "The Siege of La Rochelle: Plate 8"12 records

Institutions answered newest-first by record, interleaved

Louis XIII Listens to the Provost of the Merchants of Paris on December 23, 1628 by Abraham Bosse, The Metropolitan Museum of Art

Louis XIII Listens to the Provost of the Merchants of Paris on December 23, 1628

Abraham Bosse (d. 1676)

1629 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
The Siege of La Rochelle: Plate 8 by Jacques Callot, The Cleveland Museum of Art

The Siege of La Rochelle: Plate 8

Jacques Callot (d. 1635)

1628–1630 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Border at Bottom Center: Portrait of Gaston of France in an Ornamental Border, from "Siège de La Rochelle" (The Seige of La Rochelle) by Abraham Bosse, The Metropolitan Museum of Art

Border at Bottom Center: Portrait of Gaston of France in an Ornamental Border, from "Siège de La Rochelle" (The Seige of La Rochelle)

Abraham Bosse (d. 1676)

1628–31 · Etching and letterpress; third state of four (Lieure)

Cleared · Public Domain

live
The MetSimilar
Plate by Jean Chaslon, The Metropolitan Museum of Art

Plate

Jean Chaslon (d. 1792)

1765 · Silver

Cleared · Public Domain

live
The MetSimilar
Plate (one of a pair) by Jean Chaslon, The Metropolitan Museum of Art

Plate (one of a pair)

Jean Chaslon (d. 1792)

1777 · Silver

Cleared · Public Domain

live
The MetSimilar
Plate (one of a pair) by Jean Chaslon, The Metropolitan Museum of Art

Plate (one of a pair)

Jean Chaslon (d. 1792)

1777 · Silver

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

First Plate on the Top at Upper Left, from an etching on six plates of a central battle scene framed by ten additional plates; "Siège de la Citadelle de St-Martin dans l'Île de Ré" (Siege of the Citadel of St. Martin on the Île de Ré)

Jacques Callot (d. 1635)

1628–30 · Etching; second state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Third Plate on the Bottom at Right, from an etching on six plates of a central battle scene framed by ten additional plates; "Siège de la Citadelle de St-Martin dans l'Île de Ré" (Siege of the Citadel of St. Martin on the Île de Ré)

Jacques Callot (d. 1635)

1628–30 · Etching; second state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Third Plate on the Top at Upper Right, from an etching on six plates of a central battle scene framed by ten additional plates; "Siège de la Citadelle de St-Martin dans l'Île de Ré" (Siege of the Citadel of St. Martin on the Île de Ré)

Jacques Callot (d. 1635)

1628–30 · Etching; second state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Parure des Dames, Plate 8

Mondhare et Jean

ca. 1776 · Hand colored engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Promenade (The Walk), plate 8 from "Amours"

Paul Gavarni [Chevalier] (d. 1866)

ca. 1833 · Lithograph; second state of three (Armelhault & Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Marchande de Poisson, from Les Parisiens, plate 8

Paul Gavarni [Chevalier] (d. 1866)

1857 · Lithographs; second state of two (Armelhault & Bocher)

In copyright

live
The MetSimilar

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