Tracery Arcade from the Great South Window of Canterbury Cathedral
Master Mason Stephen Lote
ca. 1426–1435 · Caen stone
Cleared · Public Domain
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A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
485 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
369 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 493 matching records exist across the two collections.
Results for "The South East Prospect of the Cathedral"12 records
Institutions answered newest-first by record, interleaved
Prospect of the inner part of Tangier, with the upper Castle, from South-East, from "Views of Tangier"
Wenceslaus Hollar (d. 1677)
1669–73 · Etching; second state of two
Cleared · Public Domain
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A Prospect of Westminster & A Prospect of the City of London
Johannes Kip (d. 1722)
1720 · Two engravings, printed from two plates
Cleared · Public Domain
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The South East Prospect of the Cathedral Church of St. Paul, London, from "Overton's Prospects"
Benjamin Cole (d. 1783)
1720–30 · Etching and engraving
Cleared · Public Domain
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A South East View of the City of New York, in North America
Pierre Charles Canot (d. 1777)
ca. 1768 · Etching and engraving
Cleared · Public Domain
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Salisbury Cathedral - The Nave, from the South Transept
Roger Fenton (d. 1819)
1858 · Albumen silver print from glass negative
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Another Prospect of Caernarvon, taken on the East side
John Boydell (d. 1804)
1750 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The South Prospect of the City of New York in America
Anonymous, British, 18th century (d. 1800)
1761 · Engraving and etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The South Prospect of the City of New York in America
Anonymous, British, 18th century (d. 1800)
1761 · Engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The South Prospect of the City of New York in America
Anonymous, British, 18th century (d. 1800)
1761 · Engraving and etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The East Prospect of the City of Philadelphia, in the Province of Pennsylvania
Anonymous, British, 18th century (d. 1800)
after 1761 · Hand-colored etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rouen
John Taylor Arms (d. 1953)
1925 · Etching
In copyright
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