Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    390 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    319 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 183 matching records exist across the two collections.

Results for "The Steel Bridge at Yokohama"12 records

Institutions answered newest-first by record, interleaved

A Distant View of Yokohama Honmura, the Licensed District, Noge Bridge, and Yoshida Bridge, from the Entrance to Yokohama near the Mountain Pass at at Noge Village by Utagawa (Gountei) Sadahide, The Metropolitan Museum of Art

A Distant View of Yokohama Honmura, the Licensed District, Noge Bridge, and Yoshida Bridge, from the Entrance to Yokohama near the Mountain Pass at at Noge Village

Utagawa (Gountei) Sadahide (d. 1873)

3rd month, 1860 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Steel Bridge at Yokohama by Utagawa (Gountei) Sadahide, The Metropolitan Museum of Art

The Steel Bridge at Yokohama

Utagawa (Gountei) Sadahide (d. 1873)

7th–10th month, 1870 · Hexaptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Grand Display of Fireworks and Illuminations at the Opening of the Great Suspension Bridge between New York and Brooklyn on the Evening of May 24, 1883. View from New York Looking towards Brooklyn. by Currier & Ives, The Metropolitan Museum of Art

The Grand Display of Fireworks and Illuminations at the Opening of the Great Suspension Bridge between New York and Brooklyn on the Evening of May 24, 1883. View from New York Looking towards Brooklyn.

Currier & Ives (d. 1907)

1883 · Color lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gravikord

Bob Grawi

late 20th century · Stainless steel, wood, plastic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustration of London in England (Igirisukoku rondon zu)

Utagawa Yoshitora (d. 1880)

1866 · Triptych of woodblock prints; ink and color on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Picturesque America, or the Land We Live In, A Delineation by Pen and Pencil of the Mountains, Rivers, Lakes...with Illustrations on Steel and Wood by Eminent American Artists

William Cullen Bryant (d. 1878)

1872 · Illustrations: steel engraving and wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Banjo-viola

Unrecorded maker

late 19th century · Wood, brass, ebony, mother of pearl

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Alfred Stieglitz Photographing on a Bridge]

Unknown

ca. 1905 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Steel Arch Bridge from Niagara Falls, New York souvenir views (W500)

Unrecorded maker

ca. 1905–20 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

From Williamsburg Bridge

Edward Hopper (d. 1967)

1928 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pont Transbordeur, Marseille

László Moholy-Nagy (d. 1946)

1929 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lap Steel Electric Guitar

Gibson (d. 9999)

1935 · Cast aluminum, Bakelite, plastic

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.