
Daniel Cross-Examining the Elders, from "The Story of Susanna"
Heinrich Aldegrever (d. 1561)
1555 · Engraving; first state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
389 ms. The Metropolitan Museum of Art, Collection API (Open Access)
385 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 776 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Daniel Cross-Examining the Elders, from "The Story of Susanna"
Heinrich Aldegrever (d. 1561)
1555 · Engraving; first state of two
Cleared · Public Domain
live
The Stoning of the Elders, from The Story of Susanna
Heinrich Aldegrever (d. 1561)
1555 · Engraving; first state of two
Cleared · Public Domain
live
Susanna Surprised by the Elders, from The Story of Susanna
Heinrich Aldegrever (d. 1561)
1555–80 · Engraving; first state of three
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Daniel Cross-Examining the Elders, plate 4 from "The Story of Susanna"
Anonymous, Netherlandish, 16th century (d. 1600)
1563 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Elders Accusing Susanna of Adultery, plate 2 from "The Story of Susanna"
Anonymous, Netherlandish, 16th century (d. 1600)
1563 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Stoning of the Elders, plate 5 from "The Story of Susanna"
Anonymous, Netherlandish, 16th century (d. 1600)
1563 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Blessed Are They Who Are Persecuted [Matt. 5:10]: The Stoning of St Stephen, from The Eight Beatitudes, plate 8
Herman Müller
ca 1566 · Engraving; second state of four (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Stoning of Naboth, from The Story of Ahab, Jezebel and Naboth, plate 4
Philips Galle (d. 1612)
ca. 1561 · Engraving; first state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Stoning of Naboth, plate 4 from "The Story of Ahab, Jezebel and Naboth"
Philips Galle (d. 1612)
ca. 1561 · Engraving; first state of two (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Stoning of the Elders, from The Story of Susanna, bound in "Thesaurus Sacrarum historiarum Veteris et Novi Testamenti"
Gillis Coignet (d. 1599)
1579 · Engraving; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Stoning of the Elders, from "The Story of Susanna"
Maerten de Vos (d. 1603)
ca. 1575–1610 · Engraving; first state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Stoning of the Elders, from "The Story of Susanna"
Maerten de Vos (d. 1603)
ca. 1600 · Engraving; copy in reverse after print by de Passe
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.