Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    304 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    318 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 23 matching records exist across the two collections.

Results for "The Stopping Place: The Feast of the Boh"12 records

Institutions answered newest-first by record, interleaved

Large Kneeling Statue of Hatshepsut by an unrecorded maker, The Metropolitan Museum of Art

Large Kneeling Statue of Hatshepsut

Unrecorded maker

ca. 1473–1458 BCE · Granite

Cleared · Public Domain

live
The MetSimilar
Reliquary Bust of Saint Yrieix by an unrecorded maker, The Metropolitan Museum of Art

Reliquary Bust of Saint Yrieix

Unrecorded maker

ca. 1220–40, with later grill · Silver and gilded silver with rock crystal, gems, and glass

Cleared · Public Domain

live
The MetSimilar
The Story of Esther by Marco del Buono Giamberti, The Metropolitan Museum of Art

The Story of Esther

Marco del Buono Giamberti (d. 1489)

1489 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Altar to the Sun Warrior by Mexico Nahua artist(s), The Metropolitan Museum of Art

Altar to the Sun Warrior

Mexico Nahua artist(s)

1450-1521 CE · Stone

Cleared · Public Domain

live
The MetSimilar
"Alexander at a Banquet", Folio 321b from a Khamsa (Quintet) of Nizami of Ganja by Nizami, The Metropolitan Museum of Art

"Alexander at a Banquet", Folio 321b from a Khamsa (Quintet) of Nizami of Ganja

Nizami (d. 1209)

dated 931 AH/1524–25 CE · Ink, opaque watercolor, silver, and gold on paper

Cleared · Public Domain

live
The MetSimilar
The Raising of Lazarus by Jan Muller, The Metropolitan Museum of Art

The Raising of Lazarus

Jan Muller (d. 1628)

ca. 1600 · Engraving; New Holl.'s second state of three

Cleared · Public Domain

live
The MetSimilar
The stopping place of the gypsies: the fortune-tellers (La Halte des bohémiens: les diseuses de bonne aventure), from "The Gypsies" (Les Bohémiens) by Jacques Callot, The Metropolitan Museum of Art

The stopping place of the gypsies: the fortune-tellers (La Halte des bohémiens: les diseuses de bonne aventure), from "The Gypsies" (Les Bohémiens)

Jacques Callot (d. 1635)

1621–31 · Etching

Cleared · Public Domain

live
The MetSimilar
Our Lady of Cocharcas by Unknown, The Metropolitan Museum of Art

Our Lady of Cocharcas

Unknown

1759 · Oil and gold on canvas

Cleared · Public Domain

live
The MetSimilar
A Gathering of Horsemen and a Coach near a Watering Place by Dirk Langendijk, The Metropolitan Museum of Art

A Gathering of Horsemen and a Coach near a Watering Place

Dirk Langendijk (d. 1805)

1776 · Pen and gray-black ink, brush and gray wash; framing lines in pen and black ink

Cleared · Public Domain

live
The MetSimilar
Pendant Icon with St. George and the Virgin and Child Enthroned by Northern or Central Highlands artist, The Metropolitan Museum of Art

Pendant Icon with St. George and the Virgin and Child Enthroned

Northern or Central Highlands artist

18th century · Wood, pigment, metal hinge

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Body mask

Asmat artist(s)

mid-20th century · Mulberry fiber, rattan, sago palm leaves, wood, bamboo, cassowary bone, cassowary feathers, feathers, coix seeds, pigment

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Monkey Mountain Kronikle

Tom Hück (d. 9999)

2018–22 · Woodcut, printed recto and verso on four sheets of Torinoko Japanese Paper using Tom Hück's Outlaw Black Relief Ink by Gamblin and an overleaf printed on black paper with white ink; the three leaves of the triptych connected with stickers

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.