Loffice de Noël, 1768
Catholic Church
1768
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
708 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
397 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 77 matching records exist across the two collections.
Results for "The Storming of the Bastille on 14 July"12 records
Institutions answered newest-first by record, interleaved
The Storming of the Bastille, July 14, 1789
Charles Thévenin (d. 1838)
1790 · Print, Etching
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Storming of the Bastille on 14 July 1789 (Prise de la Bastille le 14 juillet 1789)
Charles Thévenin (d. 1838)
1790 · Etching
Cleared · Public Domain
liveThe MetSimilar
Are you sure at least that I will be comfortable?, from 'News of the day,' published in Le Charivari, August 14, 1866
Honoré Daumier (d. 1879)
August 14, 1866 · Lithograph on newsprint; third state of three (Delteil)
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Badaioz Assaulted and Taken, April 6, 1812 and The Battle of Salamanca, July 22, 1812
Thomas Stothard (d. 1834)
September 1, 1820 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Entrance into Toulouse, July 12, 1814 and the Dukedom of Wellington Conferred
Thomas Stothard (d. 1834)
September 1, 1820 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York Crystal Palace for the Exhibition of the Industry of All Nations
Frances Flora Bond Palmer (d. 1876)
1853 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Burning of the New York Crystal Palace, October 5th, 1858, During its Occupation for the Annual Fair of the American Institute
Currier & Ives (d. 1907)
1858 · Hand-colored lithograph
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Return of the conquerors of the Bastille to the City Hall, 14 July 1789, from "Le Journal Illustré"
Louis Paul Pierre Dumont (d. 1885)
December 10–17, 1865 · Wood engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Samuel John Carter (d. 1892)
1871–75 · Illustrations: wood engravings and color lithographs
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
William Biscombe Gardner (d. 1919)
1876–80 · Illustrations: wood engravings and color lithographs
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Tour Eiffel. – Détail du Campanile.
Neurdein Frères (d. 1910)
1889 · Albumen silver print
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.