
The Studio
Winslow Homer (d. 1910)
1867 · Oil on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
3831 ms. The Metropolitan Museum of Art, Collection API (Open Access)
535 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 18,819 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Studio
Winslow Homer (d. 1910)
1867 · Oil on canvas
Cleared · Public Domain
live
Portrait of a Woman
Rembrandt van Rijn (d. 1669)
1635 or earlier · Painting, oil on wood
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Studio, Christmas 1916
George Bellows (d. 1925)
1916 · Lithograph
In copyright
live
The Artist's Studio
Johann Georg Platzer (d. 1761)
1740s–50s · Painting, oil on copper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Studio
Frank Eugene (d. 1936)
1910s · Platinum print
In copyright
live
A Young Man with a Chain
Rembrandt van Rijn (d. 1669)
c. 1629 or 1632 · Painting, oil on wood
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Studio
Frank Eugene (d. 1936)
1910s · Platinum print
In copyright
live
Senator George Ellis Pugh of Ohio
Whitehurst Studio
c.1857 · Photograph, salted paper print from wet collodion negative
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lovers in the Studio
Federico Castellon (d. 1971)
1947 · Etching
In copyright
live
A Commercial Street in Guangzhou
Lai Fong (d. 1890)
c. 1880 · Photograph, albumen print
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Studio
Emilio Sanchez (d. 1999)
mid-20th century · Etching
In copyright
live
Untitled (Hong Kong, St. John’s Cathedral, from the Parade Ground, H.M. Regiment on Parade)
Lai Fong (d. 1890)
1866–73 · Photograph, albumen print
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.