Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    312 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    283 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 93 matching records exist across the two collections.

Results for "The Supper at Emmaus"12 records

Institutions answered newest-first by record, interleaved

The Supper at Emmaus by Bonifacio de' Pitati (Bonifacio Veronese), The Metropolitan Museum of Art

The Supper at Emmaus

Bonifacio de' Pitati (Bonifacio Veronese) (d. 1553)

mid-16th century · Brush and brown ink, brown wash, heightened with white, over black chalk underwriting, on blue paper.

Cleared · Public Domain

live
The MetSimilar
The Supper at Emmaus by Giovanni Battista Piazzetta, The Cleveland Museum of Art

The Supper at Emmaus

Giovanni Battista Piazzetta (d. 1754)

c. 1720 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Supper at Emmaus by Velázquez (Diego Rodríguez de Silva y Velázquez), The Metropolitan Museum of Art

The Supper at Emmaus

Velázquez (Diego Rodríguez de Silva y Velázquez) (d. 1660)

1622–23 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Supper at Emmaus by Israhel van Meckenem, The Cleveland Museum of Art

Supper at Emmaus

Israhel van Meckenem (d. 1503)

c. 1480 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Le Souper d'Emmaüs appelé aussi Les Disciples d'Emmaüs (The Supper at Emmaus, also called the Disciples of Emmaus), from "Les Quatre Banquets" (The Four Feasts) by Jacques Callot, The Metropolitan Museum of Art

Le Souper d'Emmaüs appelé aussi Les Disciples d'Emmaüs (The Supper at Emmaus, also called the Disciples of Emmaus), from "Les Quatre Banquets" (The Four Feasts)

Jacques Callot (d. 1635)

ca. 1625 · Etching and engraving; first state of three (Lieure)

Cleared · Public Domain

live
The MetSimilar
Before the Supper at Emmaus by Jean Louis Forain, The Cleveland Museum of Art

Before the Supper at Emmaus

Jean Louis Forain (d. 1931)

1910 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Supper at Emmaus by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

The Supper at Emmaus

Rembrandt (Rembrandt van Rijn) (d. 1669)

1654 · Etching, burin and drypoint; first of two states

Cleared · Public Domain

live
The MetSimilar
Cottage among Trees by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

Cottage among Trees

Rembrandt (Rembrandt van Rijn) (d. 1669)

ca. 1650 · Pen and brown ink, brush and brown wash, on paper washed with brown

Cleared · Public Domain

live
The MetSimilar
The Supper at Emmaus by an unrecorded maker, The Metropolitan Museum of Art

The Supper at Emmaus

Unrecorded maker

18th century · Figures and flowers of lampworked glass (opaque white, pink, lavender, green, brown, purple, black, blue, light blue, and colorless), cardboard, paper, shells, glass mirror plate, glass chips, imitation leather (paper), cloth, paint, composition material, wire, fabric. Assembled.

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Supper at Emmaus

Anonymous

1578–1628 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Le Souper d'Emmaüs appelé aussi Les Disciples d'Emmaüs (The Supper at Emmaus, also called the Disciples of Emmaus), from "Les Quatre Banquets" (The Four Feasts)

Jacques Callot (d. 1635)

ca. 1619–24 · Etching and engraving; second state of three (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Disciples at Emmaus

Robert Dunkarton (d. 1744)

1779 · Mezzotint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.