'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)
Goya (Francisco de Goya y Lucientes) (d. 1828)
ca. 1815 (published after 1867) · Etching, burin
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
418 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
292 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 33 matching records exist across the two collections.
Results for "The Supplier, from "Gazette des Beaux-Ar"12 records
Institutions answered newest-first by record, interleaved
Bijoux, from the Collection of Prince Czartoryski
Jules-Ferdinand Jacquemart (d. 1880)
1865 · Etching
Cleared · Public Domain
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Portrait of Jules Jacquemart, from "Gazette des Beaux-Arts"
Marcellin Desboutin (d. 1902)
1876 · Drypoint; second state of two
Cleared · Public Domain
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The Supplier, from "Gazette des Beaux-Arts"
Henri Charles Guérard (d. 1897)
1888 · Etching and drypoint; fifth state of five
Cleared · Public Domain
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The Muse Erato, from "Gazette des Beaux-Arts"
Albert Ardail (d. 1914)
1890 · Etching
Cleared · Public Domain
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Frontispiece, from Othello
Théodore Chassériau (d. 1856)
1900 · Etching, engraving, roulette, drypoint on chine collé
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of Francisco Goya, seated, holding a palette and brush, from "Gazette des Beaux-Arts"
Adolphe Lalauze (d. 1906)
December 1875 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Good Shepherd, from "Gazette des Beaux-Arts"
Charles-Albert Waltner (d. 1925)
1875 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Extase poétique, from "Gazette des Beaux-Arts"
Alphonse Legros (d. 1911)
1876 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jacob Fighting with the Angel, from "Gazette des Beaux-Arts"
Léon Bonnat (d. 1922)
1876 · Etching; second state of two
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sadness
Paul-Albert Besnard (d. 1934)
1887 · Etching; third state of three
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Blonde Woman at her Toilette
Paul-Albert Besnard (d. 1934)
1909 · Etching; single state
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.