
"Bahram Gur in the Red Palace on Tuesday", Folio 220 from a Khamsa (Quintet) of Nizami of Ganja
Nizami (d. 1209)
dated 931 AH/1524–25 CE · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
314 ms. The Metropolitan Museum of Art, Collection API (Open Access)
398 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 163 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

"Bahram Gur in the Red Palace on Tuesday", Folio 220 from a Khamsa (Quintet) of Nizami of Ganja
Nizami (d. 1209)
dated 931 AH/1524–25 CE · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
live
The Tête à Tête
William Hogarth (d. 1764)
1745 · Portfolio, etching and engraving
Cleared · CC0
live
Tête à Tête
Claude Simpol (d. 1716)
1716 · Pen and gray ink, brush and gray wash, heightened with white, over traces of graphite; contours incised
Cleared · Public Domain
live
Tête-à-tête in the Garden
James McNeill Whistler (d. 1903)
1894 · Print, lithograph
Cleared · CC0
live
Cup with cover (from a tea service)
Imperial Porcelain Manufactory, St. Petersburg (d. 9999)
ca. 1775 · Hard-paste porcelain
Cleared · Public Domain
live
Several heads in the Persian style: Portrait, Sultana Wearing a Pearl Necklace and a Turban (Plusieurs têtes coiffées à la persienne)
Stefano Della Bella (d. 1664)
1649–50 · Print, etching
Cleared · CC0
live
Milk jug (from a tea service)
Imperial Porcelain Manufactory, St. Petersburg (d. 9999)
ca. 1775 · Hard-paste porcelain
Cleared · Public Domain
live
Design for a Rectangular and Round Marble-topped Tables and a Tête-à Tête Chair
Anonymous, British, 19th century (d. 1900)
early 19th century · Pen and ink, brush and wash, watercolor
Cleared · Public Domain
live
Tête-à-tête
John Henry Belter (d. 1863)
1850–60 · Rosewood, ash, pine, walnut
Cleared · Public Domain
live
Tête-à-tête
Unrecorded maker
ca. 1887 · Brass
Cleared · Public Domain
live
Tête-à-tête in the Garden
James McNeill Whistler (d. 1903)
1894 · Transfer lithograph; only state (Chicago); printed in black ink on cream wove paper
Cleared · Public Domain
live
Tête-à-tête in the Garden
James McNeill Whistler (d. 1903)
1894 · Transfer lithograph; only state (Chicago); printed in black ink on cream laid paper (darkened)
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.