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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    333 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    332 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,954 matching records exist across the two collections.

Results for "The Tents, from "The Portfolio""12 records

Institutions answered newest-first by record, interleaved

The Guard Tents (Recto) (from Sketchbook) by James McNeill Whistler, The Metropolitan Museum of Art

The Guard Tents (Recto) (from Sketchbook)

James McNeill Whistler (d. 1903)

ca. 1854 · Black ink on brown wove paper

Cleared · Public Domain

live
The MetSimilar
The Silent Councillor, from "The Portfolio" by Sir Lawrence Alma-Tadema, The Metropolitan Museum of Art

The Silent Councillor, from "The Portfolio"

Sir Lawrence Alma-Tadema (d. 1912)

1878 · Etching

Cleared · Public Domain

live
The MetSimilar
Portrait of Francisco Goya, from "The Portfolio" by Louis Lucas, The Metropolitan Museum of Art

Portrait of Francisco Goya, from "The Portfolio"

Louis Lucas (d. 1888)

1879 · Etching

Cleared · Public Domain

live
The MetSimilar
The Tents, from "The Portfolio" by Sir Hubert von Herkomer, The Metropolitan Museum of Art

The Tents, from "The Portfolio"

Sir Hubert von Herkomer (d. 1914)

November 1880 · Etching and drypoint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portfolio of Caricatures

John Doyle (d. 1868)

mid-19th century · Etchings and lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hardwick Hall, from "The Portfolio"

Alfred-Louis Brunet-Debaines (d. 1939)

February 1877 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Jules Dalou, from "The Portfolio"

Alphonse Legros (d. 1911)

1877 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Francisco Goya, from "The Portfolio"

Louis Lucas (d. 1888)

June 1879 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Words of Comfort, from "The Portfolio"

Sir Hubert von Herkomer (d. 1914)

March 1879 · Drypoint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Martin Ryckaert, from "The Portfolio"

Henry Macbeth-Raeburn (d. 1947)

February 1890 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Negro, from the portfolio ¦The Fair¦

Max Beckmann (d. 1950)

1921, published 1922 · Drypoint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled, from "VVV Portfolio"

Leonora Carrington (d. 2011)

1942 (published 1943) · Etching

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.