
The Terrace
Thomas Rowlandson (d. 1827)
1813 · Hand-colored etching and aquatint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
128 ms. The Metropolitan Museum of Art, Collection API (Open Access)
344 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 339 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Terrace
Thomas Rowlandson (d. 1827)
1813 · Hand-colored etching and aquatint
Cleared · Public Domain
live
Bacchanale
Malvina Hoffman (d. 1966)
1917 · Sculpture, bronze, copper, brass
Cleared · CC0
live
The Pantheon, from the Terrace of the Luxembourg Gardens
James McNeill Whistler (d. 1903)
1893 · Transfer lithograph with stumping, printed in black ink on cream laid paper; only state (Chicago)
Cleared · Public Domain
live
Pantheon from the Terrace of the Luxembourg Gardens
James McNeill Whistler (d. 1903)
1893 · Print, lithograph
Cleared · CC0
live
The Steps, Luxembourg Gardens
James McNeill Whistler (d. 1903)
1893 · Transfer lithograph with stumping, printed in black ink on ivory laid paper; only state (Chicago)
Cleared · Public Domain
live
The Terrace, Luxembourg
James McNeill Whistler (d. 1903)
1894 · Transfer lithograph with stumping; only state (Chicago); printed in black ink on fine cream laid paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Terrace, Cintra
Sir Francis Seymour Haden (d. 1910)
1877 · Etching; first (final) state (Harrington); first state of two (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Spring, Luxembourg Garden
Matilda Auchincloss Brownell (d. 1966)
1902 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Terrace
Georges Braque (d. 1963)
L'Estaque and Paris, autumn 1907 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Garden of the Luxembourg
Childe Hassam (d. 1935)
1898–1915 · Etching and drypoint, with plate tone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Garden of the Luxembourg
Childe Hassam (d. 1935)
1898–1915 · Etching; proof from cancelled plate
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Café Terrace
Diego Rivera (d. 1957)
1915 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.