![Racing [The Start] by Thomas Rowlandson, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP872203.jpg)
Racing [The Start]
Thomas Rowlandson (d. 1827)
January 1, 1799 · Hand-colored etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
430 ms. The Metropolitan Museum of Art, Collection API (Open Access)
385 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 62 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
![Racing [The Start] by Thomas Rowlandson, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP872203.jpg)
Racing [The Start]
Thomas Rowlandson (d. 1827)
January 1, 1799 · Hand-colored etching
Cleared · Public Domain
live
Preparing to Start
Thomas Rowlandson (d. 1827)
September 30, 1811 · Hand-colored etching
Cleared · Public Domain
live
Preparing to Start
Thomas Rowlandson (d. 1827)
September 30, 1811 · Etching
Cleared · Public Domain
live
The Start of the Race of the Riderless Horses
Horace Vernet (d. 1863)
1820 · Oil on canvas
Cleared · Public Domain
live
Start of the Race of the Barberi Horses, Rome
Jean-Baptiste Carpeaux (d. 1875)
1860 · Pen and brown ink, watercolor, and gouache
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Hay Barge, and the Thames at Barnes
Sir Francis Seymour Haden (d. 1910)
1865 · Etching with drypoint; trial proof a (Harrington); first state of two (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Corinthian Race: A High Toned Start
Thomas B. Worth (d. 1917)
1883 · Hand-colored lithograph with gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Darktown Bicycle Race -- The Start: "Now for de fastest record ever known."
John Cameron (d. 1896)
1895 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Repairing a Barge
James McBey (d. 1959)
1914 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Just Off
Lill Tschudi (d. 2004)
1932 · Linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Thames Barge Race: The Start
James McBey (d. 1959)
1936 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Thames Barge Race: The Sarah Winning
James McBey (d. 1959)
1937 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.