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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    630 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    1434 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 187 matching records exist across the two collections.

Results for "The Thatcher"11 records

Institutions answered newest-first by record, interleaved

English Guitar by an unrecorded maker, The Metropolitan Museum of Art

English Guitar

Unrecorded maker

late 18th century · Wood

Cleared · Public Domain

live
The MetSimilar
Clarinet in E-flat by William Whiteley, The Metropolitan Museum of Art

Clarinet in E-flat

William Whiteley (d. 1869)

ca. 1810–53 · Wood, ivory, brass, reed

Cleared · Public Domain

live
The MetSimilar
Transverse Flute by Boehm & Mendler, German, The Metropolitan Museum of Art

Transverse Flute

Boehm & Mendler, German

ca. 1870 · Wood, silver

Cleared · Public Domain

live
The MetSimilar
Kamānche by an unrecorded maker, The Metropolitan Museum of Art

Kamānche

Unrecorded maker

ca. 1880 · Wood, metal, bone, gut

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Thatcher

William Ward (d. 1826)

January 1, 1806 · Mezzotint, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Saucer

Unrecorded maker

ca. 1816–ca. 1825 · Earthenware, transfer-printed

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kundi, harp

Unrecorded maker

late 19th century · Hide, various materials

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nfukula (chest drum)

Unrecorded maker

early 20th century · Wood, lizard skin, thorns

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Warhead I

Nancy Burson (d. 9999)

1982 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Coat

John Galliano

1984 · cotton, plastic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled

John Yang (d. 2009)

2006 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.