
The Three Trees
Rembrandt (Rembrandt van Rijn) (d. 1669)
1643 · Etching, engraving and drypoint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
725 ms. The Metropolitan Museum of Art, Collection API (Open Access)
234 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17,429 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Three Trees
Rembrandt (Rembrandt van Rijn) (d. 1669)
1643 · Etching, engraving and drypoint
Cleared · Public Domain
live
The Three Windmills
Wenceslaus Hollar (d. 1677)
1651 · Etching
Cleared · Public Domain
live
The Three Trees
Anthonie Waterloo (d. 1690)
17th century · Etching; first state of three
Cleared · Public Domain
live
The Three Graces
Bartolomeo Pinelli (d. 1835)
ca. 1820–30 · Terracotta
Cleared · Public Domain
live
The Three Bears
Harrison William Weir (d. 1906)
1851 · Illustrations: color lithographs and wood engravings, printed in oil colors
Cleared · Public Domain
live
Merchant’s Carnival Portrait Advertising a Bed Springs Manufacturer, Sturgis, Michigan
Frank Rufus Barrows (d. 1920)
1880s–1890s · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Three Fates
Giorgio Ghisi (d. 1582)
1558 · Engraving; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Three Cows
Sir Francis Seymour Haden (d. 1910)
1877 · Drypoint; second state of two (Harrington); sixth state of seven (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Three Calves
Sir Francis Seymour Haden (d. 1910)
1882 · Etching with drypoint; first (final) state (Harrington); third state of five (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Three Barrows
Sir David Young Cameron (d. 1945)
1891 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Three Shades
Auguste Rodin (d. 1917)
modeled between 1881 and 1886, cast 1969 · Bronze
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.