
Landscape with Three Gabled Cottages Beside a Road
Rembrandt (Rembrandt van Rijn) (d. 1669)
1650 · Etching and drypoint; third of three states
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
605 ms. The Metropolitan Museum of Art, Collection API (Open Access)
343 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17,697 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Landscape with Three Gabled Cottages Beside a Road
Rembrandt (Rembrandt van Rijn) (d. 1669)
1650 · Etching and drypoint; third of three states
Cleared · Public Domain
live
Landscape with Three Gabled Cottages beside a Road
Rembrandt van Rijn (d. 1669)
1650 · Print, etching and drypoint
Cleared · CC0
live
Landscape with Three Gabled Cottages Beside a Road
Rembrandt (Rembrandt van Rijn) (d. 1669)
1650 · Etching and drypoint; third of three states
Cleared · Public Domain
live
Listening to the Qin
Tang Yin (d. 1523)
late 1400s–early 1500s · Painting, hanging scroll; ink and light color on silk
Cleared · CC0
live
The Three Windmills
Wenceslaus Hollar (d. 1677)
1651 · Etching
Cleared · Public Domain
live
The Cottages at the Bank
Allart van Everdingen (d. 1675)
1675 · Engraving; first state of three
Cleared · Public Domain
live
The Cottages at the Bank
Allart van Everdingen (d. 1675)
1675 · Engraving; second state of three
Cleared · Public Domain
live
The Three Cottages
Allart van Everdingen (d. 1675)
17th century · Engraving; second state of two
Cleared · Public Domain
live
The Three Cottages on the Hill
Allart van Everdingen (d. 1675)
17th century · Engraving; fifth state of five
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cottages
John Clerk of Eldin (d. 1812)
1770–82 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Cottages
William Henry Pyne (d. 1843)
1806–7 · Pen lithograph on yellow-ocher aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Cottages
William Henry Pyne (d. 1843)
1806–7 · Pen lithograph on yellow-ocher aquatint mount
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.