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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    947 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    335 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 17,411 matching records exist across the two collections.

Results for "The Three Fates"12 records

Institutions answered newest-first by record, interleaved

The Three Fates by Anonymous, Italian, North Italy, 16th century, The Metropolitan Museum of Art

The Three Fates

Anonymous, Italian, North Italy, 16th century (d. 1600)

1530–50 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Three Fates, Costume Designs by Pierre Milan, The Cleveland Museum of Art

The Three Fates, Costume Designs

Pierre Milan

c. 1534 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Three Fates by Luca Cambiaso, The Metropolitan Museum of Art

The Three Fates

Luca Cambiaso (d. 1585)

1527–85 · Pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Grave Stele (Relief) by an unrecorded maker, The Cleveland Museum of Art

Grave Stele (Relief)

Unrecorded maker

c. 50 BCE · Sculpture, marble

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Three Fates: Clotho, Lachesis and Atropos by Jan Muller, The Metropolitan Museum of Art

The Three Fates: Clotho, Lachesis and Atropos

Jan Muller (d. 1628)

ca. 1589 · Engraving; third state of four

Cleared · Public Domain

live
The MetSimilar
The Three Fates by Valerio Belli, The Cleveland Museum of Art

The Three Fates

Valerio Belli (d. 1546)

early 1500s or later · Sculpture, silver

Cleared · CC0

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Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Life (The Three Fates)

Enea Vico (d. 1567)

ca. 1545–50 · Engraving

In copyright

live
The MetSimilar
Hinds House Window by Tiffany Glass & Decorating Company, The Cleveland Museum of Art

Hinds House Window

Tiffany Glass & Decorating Company (d. 1902)

c. 1900 · Glass, leaded glass

Cleared · CC0

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Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Three Fates

Giorgio Ghisi (d. 1582)

1558 · Engraving; second state of three

In copyright

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The MetSimilar
The merchant’s daughter gives birth to a son as a result of eating out of the box. The clever child recognizes the false gems from true, from a Tuti-nama (Tales of a Parrot): Twenty-third Night by an unrecorded maker, The Cleveland Museum of Art

The merchant’s daughter gives birth to a son as a result of eating out of the box. The clever child recognizes the false gems from true, from a Tuti-nama (Tales of a Parrot): Twenty-third Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Three Fates

Cornelis Cort (d. 1578)

1561 · Engraving

In copyright

live
The MetSimilar
The merchant has the hateful skull ground and put into a box, from a Tuti-nama (Tales of a Parrot): Twenty-third Night by an unrecorded maker, The Cleveland Museum of Art

The merchant has the hateful skull ground and put into a box, from a Tuti-nama (Tales of a Parrot): Twenty-third Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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