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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    343 ms. The Cleveland Museum of Art, Open Access API

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1 of 2 providers answered live. 57 matching records exist across the two collections.

Results for "The Three Marys"9 records

Institutions answered newest-first by record, interleaved

Leaf from a Gradual: Initial (R) with the Three Marys at the Tomb and "Noli me Tangere" by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Gradual: Initial (R) with the Three Marys at the Tomb and "Noli me Tangere"

Unrecorded maker

c. 1270–1300 · Manuscript, Ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Initial A[ngelus Domini descendit] from an Antiphonary: The Three Marys at the Tomb by an unrecorded maker, The Cleveland Museum of Art

Initial A[ngelus Domini descendit] from an Antiphonary: The Three Marys at the Tomb

Unrecorded maker

c. 1280–1300 · Manuscript, ink, tempera, and gold on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Crucifixion with the Two Thieves by an unrecorded maker, The Cleveland Museum of Art

Crucifixion with the Two Thieves

Unrecorded maker

1450–1500 · Drawing, pen and brown ink and black chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Meeting of Christ with Martha and Mary after the Death of Lazarus by Rembrandt van Rijn, The Cleveland Museum of Art

The Meeting of Christ with Martha and Mary after the Death of Lazarus

Rembrandt van Rijn (d. 1669)

c. 1662–65 · Drawing, reed pen and brown ink and wash, heightened with white gouache (in the heads of the kneeling figures)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Third Tier for a Flower Pyramid by Adrianus Kocx, The Cleveland Museum of Art

Third Tier for a Flower Pyramid

Adrianus Kocx (d. 1701)

c. 1690 · Ceramic, Tin-glazed earthenware, painted in blue

Cleared · CC0

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Cleveland Museum of ArtSimilar
Mary ascends the stairs to the temple, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier by an unrecorded maker, The Cleveland Museum of Art

Mary ascends the stairs to the temple, from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Unrecorded maker

1602–4 · Manuscript, Gum tempera, ink, color, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Descent from the Cross by Ugo da Carpi, The Cleveland Museum of Art

Descent from the Cross

Ugo da Carpi (d. 1532)

c. 1518 · Print, chiaroscuro woodcut

Cleared · CC0

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Cleveland Museum of ArtSimilar
Figure of the Pietà by Joseph Willems, The Cleveland Museum of Art

Figure of the Pietà

Joseph Willems (d. 1766)

c. 1761 · Ceramic, Soft-paste porcelain, painted in enamels

Cleared · CC0

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Cleveland Museum of ArtSimilar
Icon of the Mother of God and Infant Christ (Virgin Eleousa) by Angelos Akotantos, The Cleveland Museum of Art

Icon of the Mother of God and Infant Christ (Virgin Eleousa)

Angelos Akotantos (d. 1450)

c. 1425–50 · Painting, tempera and gold on wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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