
Jasmine
William Morris (d. 1896)
1872 · Block-printed in distemper colors
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
853 ms. The Metropolitan Museum of Art, Collection API (Open Access)
436 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 26,364 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Jasmine
William Morris (d. 1896)
1872 · Block-printed in distemper colors
Cleared · Public Domain
live
Driving Rain at Shōno, from Fifty-Three Stations of the Tokaidō
Utagawa Hiroshige (d. 1858)
1833 · Print, color woodblock print
Cleared · CC0
live
Light and the Shades
Henry George Hine (d. 1895)
ca. 1870 · Watercolor and gouache (bodycolor)
Cleared · Public Domain
live
Covered Sugar Bowl (Pot à sucre)
Vincennes Porcelain Manufactory (d. 1756)
1745–48 · Ceramic, soft-paste porcelain with enamel decoration
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Summer Shades
Louis Maurer (d. 1932)
1859 · Hand-colored lithograph
In copyright
live
Saint John the Baptist
Dieric Bouts (d. 1475)
c. 1475–85 · Painting, oil on wood (grisaille)
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Glass Shades
S. J. Pardessus (d. 1900)
after 1859 · Illustrations: wood engraving or photo engraving
In copyright
live
The Pigeon Tower at Bellevue
Paul Cezanne (d. 1906)
1890 · Painting, oil on fabric
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Three Cows
Sir Francis Seymour Haden (d. 1910)
1877 · Drypoint; second state of two (Harrington); sixth state of seven (Schneiderman)
In copyright
live
The Abduction of the Sabine Women
Andrea Andreani (d. 1610)
1585 · Print, chiaroscuro woodcut (in three shades of brown and black)
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Advertising Card for a Three Branch Bracket with Shades: No. 45 Alexander Hamilton
Charles Rohlfs (d. 1936)
1907 · Half-tone commercial process, printed in brown ink on glossy wove paper
In copyright
live
The Martyrdom of St. Peter and St. Paul
Antonio da Trento (d. 1550)
c. 1527–1530/1531 · Print, chiaroscuro woodcut (in two shades of brown and black)
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.