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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    155 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    280 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 614 matching records exist across the two collections.

Results for "The Three Trees, after Rembrandt"12 records

Institutions answered newest-first by record, interleaved

The Angel Appearing to the Shepherds by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

The Angel Appearing to the Shepherds

Rembrandt (Rembrandt van Rijn) (d. 1669)

1634 · Etching and drypoint; third state of three

Cleared · Public Domain

live
The MetSimilar
The Angel Appearing to the Shepherds by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

The Angel Appearing to the Shepherds

Rembrandt (Rembrandt van Rijn) (d. 1669)

1634 · Etching, burin, and drypoint; third state of three

Cleared · Public Domain

live
The MetSimilar
The Last Supper, after Leonardo da Vinci by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

The Last Supper, after Leonardo da Vinci

Rembrandt (Rembrandt van Rijn) (d. 1669)

1634–35 · Red chalk

Cleared · Public Domain

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The MetSimilar
The Fourth Oriental Head by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

The Fourth Oriental Head

Rembrandt (Rembrandt van Rijn) (d. 1669)

ca. 1635 · Etching; second state of three

Cleared · Public Domain

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The MetSimilar
The Three Trees by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

The Three Trees

Rembrandt (Rembrandt van Rijn) (d. 1669)

1643 · Etching, engraving and drypoint

Cleared · Public Domain

live
The MetSimilar
Christ Crucified between the Two Thieves:  The Three Crosses by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

Christ Crucified between the Two Thieves: The Three Crosses

Rembrandt (Rembrandt van Rijn) (d. 1669)

ca. 1660 · Drypoint

Cleared · Public Domain

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The MetSimilar
The Three Trees, after Rembrandt by Captain William E. Baillie, The Metropolitan Museum of Art

The Three Trees, after Rembrandt

Captain William E. Baillie (d. 1810)

1758 · Etching; second state of six

Cleared · Public Domain

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The MetSimilar
The Three Trees, after Rembrandt by Captain William E. Baillie, The Metropolitan Museum of Art

The Three Trees, after Rembrandt

Captain William E. Baillie (d. 1810)

1758 · Etching with plate tone; third state of six

Cleared · Public Domain

live
The MetSimilar
The Three Trees, after Rembrandt by Captain William E. Baillie, The Metropolitan Museum of Art

The Three Trees, after Rembrandt

Captain William E. Baillie (d. 1810)

1758 · Etching, drypoint and roulette; fourth state of six

Cleared · Public Domain

live
The MetSimilar
The Three Trees, after Rembrandt by Captain William E. Baillie, The Metropolitan Museum of Art

The Three Trees, after Rembrandt

Captain William E. Baillie (d. 1810)

1758 · Etching, drypoint and roulette; fifth state of six

Cleared · Public Domain

live
The MetSimilar
The Woodcutter of Rembrandt (Le Bûcheron de Rembrandt) by Camille Corot, The Metropolitan Museum of Art

The Woodcutter of Rembrandt (Le Bûcheron de Rembrandt)

Camille Corot (d. 1875)

May 1853 · Cliché-verre; first state (?) of three

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Some Sum of our Ancestors were Old Masters Too (Rembrandt Three Trees)

Ted Joans (d. 2003)

1990 · Cut and pasted printed papers on postcard

In copyright

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The MetSimilar

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2. Read the arithmetic

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