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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    618 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    874 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12,708 matching records exist across the two collections.

Results for "The Times"12 records

Institutions answered newest-first by record, interleaved

The Times, Plate 1 by William Hogarth, The Metropolitan Museum of Art

The Times, Plate 1

William Hogarth (d. 1764)

September 7, 1762 · Etching and engraving; third state of three

Cleared · Public Domain

live
The MetSimilar
Times of Day by Philipp Otto Runge, The Cleveland Museum of Art

Times of Day

Philipp Otto Runge (d. 1810)

1803–05 · Print, Set of four etchings

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Times, Plate 1 by William Hogarth, The Metropolitan Museum of Art

The Times, Plate 1

William Hogarth (d. 1764)

September 1762 · Etching and engraving; third state of three

Cleared · Public Domain

live
The MetSimilar
The Times, Plate 1 by William Hogarth, The Metropolitan Museum of Art

The Times, Plate 1

William Hogarth (d. 1764)

September 7, 1762 · Etching and engraving; third state of three

Cleared · Public Domain

live
The MetSimilar
The Times, Plate 1 by William Hogarth, The Metropolitan Museum of Art

The Times, Plate 1

William Hogarth (d. 1764)

September 7, 1762 · Etching and engraving; first state of three

Cleared · Public Domain

live
The MetSimilar
A Touch on the Times by Thomas Rowlandson, The Metropolitan Museum of Art

A Touch on the Times

Thomas Rowlandson (d. 1827)

December 29, 1788 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
A Touch on the Times by Thomas Rowlandson, The Metropolitan Museum of Art

A Touch on the Times

Thomas Rowlandson (d. 1827)

December 29, 1788 · Hand-colored etching (impression blurred in printing)

Cleared · Public Domain

live
The MetSimilar
The Times by Thomas Rowlandson, The Metropolitan Museum of Art

The Times

Thomas Rowlandson (d. 1827)

December 1788 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The Times by Thomas Rowlandson, The Metropolitan Museum of Art

The Times

Thomas Rowlandson (d. 1827)

December 1788 · Etching

Cleared · Public Domain

live
The MetSimilar
The Times, Plate 2 by William Hogarth, The Metropolitan Museum of Art

The Times, Plate 2

William Hogarth (d. 1764)

May 29, 1790 · Etching and engraving; fourth state of four

Cleared · Public Domain

live
The MetSimilar
The Times, Plate 2 by William Hogarth, The Metropolitan Museum of Art

The Times, Plate 2

William Hogarth (d. 1764)

May 29, 1790 · Etching and engraving; fourth state of four

Cleared · Public Domain

live
The MetSimilar
The Times, Plate 2 by William Hogarth, The Metropolitan Museum of Art

The Times, Plate 2

William Hogarth (d. 1764)

May 29, 1790 · Etching and engraving; fourth state of four

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.