
Side table (one of a pair)
Matthias Lock (d. 1760)
ca. 1740 · Carved gilded pine with modern scagliola top
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1411 ms. The Metropolitan Museum of Art, Collection API (Open Access)
318 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 93,929 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Side table (one of a pair)
Matthias Lock (d. 1760)
ca. 1740 · Carved gilded pine with modern scagliola top
Cleared · Public Domain
live
The Toilet, from The Rape of the Lock by Alexander Pope
Aubrey Beardsley (d. 1898)
c. 1895–96 · Drawing, pen and black ink with traces of graphite underdrawing
Cleared · CC0
live
Side table (one of a pair)
Matthias Lock (d. 1760)
ca. 1740 · Carved gilded pine with modern scagliola top
Cleared · Public Domain
live
Table
Matthias Lock (d. 1760)
ca. 1740–45 · Pine, marble
Cleared · Public Domain
live
Studies of fairies with a pair of hands (possibly representing the Opening of Pandora's Box)
William Lock the Younger (d. 1847)
1784 · Graphite and red chalk, pen and brown ink, brush and gray wash, and white gouache (bodycolor)
Cleared · Public Domain
live
The Rape of the Lock: An Heroi-Comical Poem in Five Cantos
Alexander Pope (d. 1744)
1896 · Illustrations: process prints from line blocks
Cleared · Public Domain
live
The Rape of the Lock
William Hogarth (d. 1764)
19th century (?) · Lithographed copy of an engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Rape of Ganymede by Jupiter
Marcantonio Raimondi (d. 1534)
after ca. 1530 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Rape of Hellen
Etienne Delaune (d. 1583)
before 1573 · Engraving; first state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate from "A New Book of Ornaments with Twelve Leaves Consisting of Chimneys, Sconces, Tables, Spandle Panels, Spring Clock Cases, Stands, a Chandelier and Girandole, etc."
Matthias Lock (d. 1760)
1746 · Illustrations: etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Rape of the Lock, an Heroi-Comical Poem
Alexander Pope (d. 1744)
1798 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Rape of the Lock; an Heroi-Comical Poem
Alexander Pope (d. 1744)
1799 · Illustrations: hand colored aquatint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.