
Frog Pendant
Unrecorded maker
550–850 CE · Gold, ceramic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
479 ms. The Metropolitan Museum of Art, Collection API (Open Access)
8 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 15 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Frog Pendant
Unrecorded maker
550–850 CE · Gold, ceramic
Cleared · Public Domain
live
Division Viol
School of Tielke
ca. 1720 · Wood, ivory, tortoise shell
Cleared · Public Domain
live
Snuffbox
Unrecorded maker
ca. 1740 · Silver, tortoiseshell, mother-of-pearl
Cleared · Public Domain
live
Armchair (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
live
Settee (canapé) (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
liveVishnu Standing between His Consorts, Lakshmi and Sarasvati
Unrecorded maker
17th–18th century · Ivory
Cleared · Public Domain
live
Square Piano
Robert Nunns (d. 1869)
1853 · Rosewood, mother-of-pearl, tortoiseshell, abalone, felt, metal, paint, gilding
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Hares and Frogs (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Wenceslaus Hollar (d. 1677)
1665 · Etching: only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Tortoise and the Eagle (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Wenceslaus Hollar (d. 1677)
1665 · Etching; first or second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Tortoise and the Frogs (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Wenceslaus Hollar (d. 1677)
1665 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Arjuna’s archery competition and the Ten avatars of Vishnu
Hira Lal Karmakar (d. 1949)
1860–70 · Relief print from a woodblock or metal plate (xylographic), with hand coloring
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mandolin
John D'Angelico (d. 1964)
ca. 1925 · Spruce, Brazilian rosewood, ivoroid, tortoise shell
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.