
The Sacrifice of Iphigenia
Charles de la Fosse (d. 1716)
ca. 1755–60 · Enamel on copper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
375 ms. The Metropolitan Museum of Art, Collection API (Open Access)
657 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 412 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Sacrifice of Iphigenia
Charles de la Fosse (d. 1716)
ca. 1755–60 · Enamel on copper
Cleared · Public Domain
liveRobe à la française
Unrecorded maker
1750–75 · silk
Cleared · Public Domain
live
Robe à la Polonaise
Unrecorded maker
1780–85 · silk
Cleared · Public Domain
live
Piece from a Robe (Kosode) with Pattern of Maple Leaves
Unrecorded maker
late 17th–late 18th century · Stitch- and paste-resist-dyed and painted silk crepe
Cleared · Public Domain
live
The Favourite Cat and De La-Tour Painter
John Kay (d. 1826)
1813 · Etching, engraving and mezzotint
Cleared · Public Domain
live
Persian Travelogue: A Diary of a Journey through the region of Fars
Unrecorded maker
1838 CE · Black ink on paper; blue velvet binding with a flap, tight back case binding sewn onto two cotton/hemp cords (laced in), with marbled paper doublures
Cleared · Public Domain
live
The Pond (La Mare)
Théodore Rousseau (d. 1867)
1855 · Oil on wood
Cleared · Public Domain
live
La Frayeur
Pierre-Louis Pierson (d. 1913)
1861–67 · Salted paper print from glass negative with applied color
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Parure Des Dames, 2e Collection
Mondhare et Jean
ca. 1776 · Hand colored engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Place de la Madeleine
Jean-François Raffaëlli (d. 1924)
1898 · Drypoint with hand coloring; fourth state of six
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Artillery
Roger de la Fresnaye (d. 1925)
1911 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Trail Through the Painted Leaves [Ladies' Fall Fashions]
Abercrombie and Fitch Co. (d. 2050)
1923 · Illustrations: photomechanical process, some in color
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.