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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    151 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    312 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 87 matching records exist across the two collections.

Results for "The Transept from the South Gallery, fro"12 records

Institutions answered newest-first by record, interleaved

Relief from the South Wall of a Chapel of Ramesses I by an unrecorded maker, The Metropolitan Museum of Art

Relief from the South Wall of a Chapel of Ramesses I

Unrecorded maker

ca. 1299–1290 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Tracery Arcade from the Great South Window of Canterbury Cathedral by Master Mason Stephen Lote, The Metropolitan Museum of Art

Tracery Arcade from the Great South Window of Canterbury Cathedral

Master Mason Stephen Lote

ca. 1426–1435 · Caen stone

Cleared · Public Domain

live
The MetSimilar
Top of Sharington's Tower, Lacock Abbey, Taken from the Roof above the South Gallery by William Henry Fox Talbot, The Metropolitan Museum of Art

Top of Sharington's Tower, Lacock Abbey, Taken from the Roof above the South Gallery

William Henry Fox Talbot (d. 1877)

October 14, 1840 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Portail des Marmousets, Saint-Ouen de Rouen by Edmond Bacot, The Metropolitan Museum of Art

Portail des Marmousets, Saint-Ouen de Rouen

Edmond Bacot (d. 1875)

1852–54 · Salted paper print from glass negative

Cleared · Public Domain

live
The MetSimilar
The Upper Gallery by Philip Henry Delamotte, The Metropolitan Museum of Art

The Upper Gallery

Philip Henry Delamotte (d. 1889)

1854 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Salisbury Cathedral - The Nave, from the South Transept by Roger Fenton, The Metropolitan Museum of Art

Salisbury Cathedral - The Nave, from the South Transept

Roger Fenton (d. 1819)

1858 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
[Alhambra and Court of Lions; View in South Transept] by Philip Henry Delamotte, The Metropolitan Museum of Art

[Alhambra and Court of Lions; View in South Transept]

Philip Henry Delamotte (d. 1889)

ca. 1859 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
[Mammoth Tree; General View of Nave, Looking South; View from North Gallery; Classical Fountain] by Philip Henry Delamotte, The Metropolitan Museum of Art

[Mammoth Tree; General View of Nave, Looking South; View from North Gallery; Classical Fountain]

Philip Henry Delamotte (d. 1889)

ca. 1859 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
[View From Music Court to South Transept; View in Tropical Department; View of the Egyptian Court; View of North Transept] by Philip Henry Delamotte, The Metropolitan Museum of Art

[View From Music Court to South Transept; View in Tropical Department; View of the Egyptian Court; View of North Transept]

Philip Henry Delamotte (d. 1889)

ca. 1859 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illumination of the cross in St. Peter's, Rome: view from the south transept on Good Friday, 1784, during a visit from King Charles Gustav III of Sweden

Francesco Piranesi (d. 1810)

ca. 1784 · Etching, hand colored with brown and gray wash and white gouache

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Transept from the South Gallery, from "Recollections of the Great Exhibition, 1851"

John Absolon (d. 1895)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View in the North Transept, from "Recollections of the Great Exhibition, 1851"

John Absolon (d. 1895)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

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3. Seal and export

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