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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    451 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    312 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,527 matching records exist across the two collections.

Results for "The Triumph of Christ, from The Triumph"12 records

Institutions answered newest-first by record, interleaved

Trumpeters, from "The Triumph of Caesar" by Jacob of Strasbourg, The Metropolitan Museum of Art

Trumpeters, from "The Triumph of Caesar"

Jacob of Strasbourg (d. 1530)

1504 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Monogram of Christ (Chrismon) by an unrecorded maker, The Cleveland Museum of Art

Monogram of Christ (Chrismon)

Unrecorded maker

500s · Metalwork, gold sheet, gold wire, and garnets

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Triumph of Fame by an unrecorded maker, The Metropolitan Museum of Art

The Triumph of Fame

Unrecorded maker

ca. 1502–4 · Wool, silk (6-7 warp threads per cm.)

Cleared · Public Domain

live
The MetSimilar
The Immaculate Conception by Ignaz Günther, The Cleveland Museum of Art

The Immaculate Conception

Ignaz Günther (d. 1775)

c. 1770 · Sculpture, painted and gilded wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Triumph of Fame over Death by an unrecorded maker, The Metropolitan Museum of Art

The Triumph of Fame over Death

Unrecorded maker

ca. 1500–1530 · Wool warp; wool and silk wefts

Cleared · Public Domain

live
The MetSimilar
The Triumph of Love, from The Triumph of Petrarch by Georg Pencz, The Metropolitan Museum of Art

The Triumph of Love, from The Triumph of Petrarch

Georg Pencz (d. 1550)

1549 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Triumph of Poverty (one of a series) by an unrecorded maker, The Metropolitan Museum of Art

The Triumph of Poverty (one of a series)

Unrecorded maker

last quarter 16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
The Triumph of Aemilius Paulus by Carle (Antoine Charles Horace) Vernet, The Metropolitan Museum of Art

The Triumph of Aemilius Paulus

Carle (Antoine Charles Horace) Vernet (d. 1836)

1789 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
The Triumph of Hannibal by Louis Jean Desprez, The Metropolitan Museum of Art

The Triumph of Hannibal

Louis Jean Desprez (d. 1804)

1784–1792 · Pen and ink, brush and brown wash, squared in black chalk

Cleared · Public Domain

live
The MetSimilar
Casket with the Triumph of Venus by an unrecorded maker, The Metropolitan Museum of Art

Casket with the Triumph of Venus

Unrecorded maker

early 18th century · Straw on wood

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Triumph of Christ, from The Triumph of Patience, plate 8

Dirck Volckertsz Coornhert (d. 1590)

1559 · Engraving and Etching; second state of four (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Triumph of Christ, from The Triumph of Patience, plate 8

Dirck Volckertsz Coornhert (d. 1590)

1559 · Engraving and etching, second state of four (New Hollstein)

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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