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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    221 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    329 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,059 matching records exist across the two collections.

Results for "The Triumph of David, with David at cent"12 records

Institutions answered newest-first by record, interleaved

The Crucifixion by Gerard David, The Metropolitan Museum of Art

The Crucifixion

Gerard David (d. 1523)

ca. 1495 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Virgin and Child with Four Angels by Gerard David, The Metropolitan Museum of Art

Virgin and Child with Four Angels

Gerard David (d. 1523)

ca. 1510–15 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Hampstead Heath by David Lucas, The Metropolitan Museum of Art

Hampstead Heath

David Lucas (d. 1881)

1829 · Mezzotint on chine collé; progress proof

Cleared · Public Domain

live
The MetSimilar
Hampstead Heath by David Lucas, The Metropolitan Museum of Art

Hampstead Heath

David Lucas (d. 1881)

1829 · Mezzotint on chine collé; progress proof

Cleared · Public Domain

live
The MetSimilar
Hampstead Heath by David Lucas, The Metropolitan Museum of Art

Hampstead Heath

David Lucas (d. 1881)

1829 · Mezzotint on chine collé; progress proof

Cleared · Public Domain

live
The MetSimilar
Hampstead Heath with St. Paul's in the Distance: Vignette by David Lucas, The Metropolitan Museum of Art

Hampstead Heath with St. Paul's in the Distance: Vignette

David Lucas (d. 1881)

1831 · Mezzotint on chine collé; lettered proof; second state of two

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Samson and the Lion

David Vinckboons (d. 1629)

1608 · Engraving and etching; second state of four

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Prodigal Son Feasting with Harlots, plate 2 from The Story of the Prodigal Son

David Vinckboons (d. 1629)

1608 · Etching; Hollstein's second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Temptation of Christ

David Vinckboons (d. 1629)

1650 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The architect and the industrial arts : an exhibition of contemporary American design, the eleventh in the museum series, New York, February 12 to March 24, and continued to September 2, 1929

David Silve

1929

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Song of the Landscape

David Smith (d. 1965)

1950 · Iron and bronze, on wood base

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A taste for happiness / by Michel David-Weill ; translated by Sandra Smith

Michel David-Weill

2007–2014

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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