
The Crucifixion
Gerard David (d. 1523)
ca. 1495 · Oil on wood
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
221 ms. The Metropolitan Museum of Art, Collection API (Open Access)
329 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,059 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Crucifixion
Gerard David (d. 1523)
ca. 1495 · Oil on wood
Cleared · Public Domain
live
Virgin and Child with Four Angels
Gerard David (d. 1523)
ca. 1510–15 · Oil on wood
Cleared · Public Domain
live
Hampstead Heath
David Lucas (d. 1881)
1829 · Mezzotint on chine collé; progress proof
Cleared · Public Domain
live
Hampstead Heath
David Lucas (d. 1881)
1829 · Mezzotint on chine collé; progress proof
Cleared · Public Domain
live
Hampstead Heath
David Lucas (d. 1881)
1829 · Mezzotint on chine collé; progress proof
Cleared · Public Domain
live
Hampstead Heath with St. Paul's in the Distance: Vignette
David Lucas (d. 1881)
1831 · Mezzotint on chine collé; lettered proof; second state of two
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Samson and the Lion
David Vinckboons (d. 1629)
1608 · Engraving and etching; second state of four
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prodigal Son Feasting with Harlots, plate 2 from The Story of the Prodigal Son
David Vinckboons (d. 1629)
1608 · Etching; Hollstein's second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Temptation of Christ
David Vinckboons (d. 1629)
1650 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The architect and the industrial arts : an exhibition of contemporary American design, the eleventh in the museum series, New York, February 12 to March 24, and continued to September 2, 1929
David Silve
1929
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Song of the Landscape
David Smith (d. 1965)
1950 · Iron and bronze, on wood base
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A taste for happiness / by Michel David-Weill ; translated by Sandra Smith
Michel David-Weill
2007–2014
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.