Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    394 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    917 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 589 matching records exist across the two collections.

Results for "The Triumph of Hannibal"12 records

Institutions answered newest-first by record, interleaved

The Triumph of Fame by an unrecorded maker, The Metropolitan Museum of Art

The Triumph of Fame

Unrecorded maker

ca. 1502–4 · Wool, silk (6-7 warp threads per cm.)

Cleared · Public Domain

live
The MetSimilar
The Triumph of Love, from The Triumph of Petrarch by Georg Pencz, The Metropolitan Museum of Art

The Triumph of Love, from The Triumph of Petrarch

Georg Pencz (d. 1550)

1549 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Triumph of Amphitrite by Luca Cambiaso, The Metropolitan Museum of Art

The Triumph of Amphitrite

Luca Cambiaso (d. 1585)

ca. 1550–1580 · Woodcut

Cleared · Public Domain

live
The MetSimilar
The Triumph of Aemilius Paulus by Carle (Antoine Charles Horace) Vernet, The Metropolitan Museum of Art

The Triumph of Aemilius Paulus

Carle (Antoine Charles Horace) Vernet (d. 1836)

1789 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
The Triumph of Hannibal by Louis Jean Desprez, The Metropolitan Museum of Art

The Triumph of Hannibal

Louis Jean Desprez (d. 1804)

1784–1792 · Pen and ink, brush and brown wash, squared in black chalk

Cleared · Public Domain

live
The MetSimilar
The Capture of Selinus by Hannibal by Louis Jean Desprez, The Metropolitan Museum of Art

The Capture of Selinus by Hannibal

Louis Jean Desprez (d. 1804)

n.d. · Etching and aquatint with drypoint, state II/II

Cleared · Public Domain

live
The MetSimilar
Bulls Fighting by Solon Hannibal Borglum, The Metropolitan Museum of Art

Bulls Fighting

Solon Hannibal Borglum (d. 1922)

1899–1900; cast 1906–07 · Bronze

Cleared · Public Domain

live
The MetSimilar
On the Border of the White Man's Land by Solon Hannibal Borglum, The Metropolitan Museum of Art

On the Border of the White Man's Land

Solon Hannibal Borglum (d. 1922)

1899; cast 1906–07 · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Four Little Combats: Hannibal and Scipio

Etienne Delaune (d. 1583)

before 1573 · Engraving: first state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Triumph of Britannia

Simon Francis Ravenet, the elder (d. 1774)

January 1, 1765 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Triumph of Minerva (?)

Paul Scheurich (d. 1945)

early 20th–mid 20th century · Graphite.

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Shamloo

Hannibal Alkhas (d. 2010)

2002 · Ink and acrylic on paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.