Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    267 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    375 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,447 matching records exist across the two collections.

Results for "The Triumph of Isaac, plate 2 from "The"12 records

Institutions answered newest-first by record, interleaved

Wilton Garden, plate 1 by Isaac de Caus, The Metropolitan Museum of Art

Wilton Garden, plate 1

Isaac de Caus (d. 1655)

ca. 1640 · Etching

Cleared · Public Domain

live
The MetSimilar
Watch in the form of a human skull by Isaac Penard, The Metropolitan Museum of Art

Watch in the form of a human skull

Isaac Penard (d. 1676)

case ca. 1810–20, movement ca. 1650 · Case: silver; Dial: silver, partly nielloed; Movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Triumph of Isaac, from The Triumph of Patience, plate 2

Dirck Volckertsz Coornhert (d. 1590)

1559 · Engraving and Etching; second state of four (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Triumph of Isaac, from The Triumph of Patience, plate 2

Dirck Volckertsz Coornhert (d. 1590)

1559 · Engraving and etching, second state of four (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Triumph of Isaac, plate 2 from "The Triumph of Patience"

Dirck Volckertsz Coornhert (d. 1590)

1559 · Engraving and etching; third state of four (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Triumph of Joseph, from The Triumph of Patience, plate 3

Dirck Volckertsz Coornhert (d. 1590)

1559 · Engraving and Etching; second state of four (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Triumph of Patience, from The Triumph of Patience, plate 1

Dirck Volckertsz Coornhert (d. 1590)

1559 · Engraving and Etching; second state of four (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Triumph of Tobit, from The Triumph of Patience, plate 6

Dirck Volckertsz Coornhert (d. 1590)

1559 · Engraving and Etching; second state of four (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Triumph of Chastity, from The Triumphs of Petrarch, plate 2

Philips Galle (d. 1612)

ca. 1565 · Engraving, first state of two (New Holsltein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Triumph of Chastity, from The Triumphs of Petrarch, plate 2

Philips Galle (d. 1612)

ca. 1565 · Engraving; first state of two (New Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Leaf from Aedes Walpolianae mounted with a drawing and a print: Plan of the Ground Floor (The Great Floor), Houghton Hall, Norfolk (recto); Le Gladiateur (verso)

Isaac Ware (d. 1766)

1717–35 · Pen and black ink, brush and gray wash (recto); engraving (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Journal of Isaac Senter, Physician and Surgeon to the Troops detached from the American Army Encamped at Cambridge, Mass., on a Secret Expedition against Quebec, under the Command of Col. Benedict Arnold, in September, 1775 (reprinted 1846)

Isaac Senter (d. 1799)

text 1775–1846, illustrations 1765–1865 · Illustrations: engraving, etching, aquatint, photo-lithographs

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.