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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    964 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    260 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "The Triumph of Scipio, from "Speculum Ro"7 records

Institutions answered newest-first by record, interleaved

Triumph of Marcus Aurelius, from "Speculum Romanae Magnificentiae" by Nicolas Beatrizet, The Metropolitan Museum of Art

Triumph of Marcus Aurelius, from "Speculum Romanae Magnificentiae"

Nicolas Beatrizet (d. 1566)

1560 · Engraving; second state of two (Robert-Dumesnil)

Cleared · Public Domain

live
The MetSimilar
The Triumph of Scipio, from "Speculum Romanae Magnificentiae" by Master of the Die, The Metropolitan Museum of Art

The Triumph of Scipio, from "Speculum Romanae Magnificentiae"

Master of the Die (d. 1560)

16th century · Engraving; second state

Cleared · Public Domain

live
The MetSimilar
The Victory of Scipio, from "Speculum Romanae Magnificentiae" by Master of the Die, The Metropolitan Museum of Art

The Victory of Scipio, from "Speculum Romanae Magnificentiae"

Master of the Die (d. 1560)

16th century · Engraving; second state

Cleared · Public Domain

live
The MetSimilar
Triumph of Marcus Aurelius, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Triumph of Marcus Aurelius, from "Speculum Romanae Magnificentiae"

Anonymous

1583 · Engraving

Cleared · Public Domain

live
The MetSimilar
Ewer by an unrecorded maker, The Metropolitan Museum of Art

Ewer

Unrecorded maker

ca. 1600 · Silver gilt, enamel

Cleared · Public Domain

live
The MetSimilar
Plate 27: Triumphal arch, elevation of the back, surmounted by allegorical figures and decorated with scenes from Roman mythology and history; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' by Johannes Meursius, The Metropolitan Museum of Art

Plate 27: Triumphal arch, elevation of the back, surmounted by allegorical figures and decorated with scenes from Roman mythology and history; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'

Johannes Meursius (d. 1699)

1636 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate 31: The triumph of Scipio Africanus; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' by Jacob Neeffs, The Metropolitan Museum of Art

Plate 31: The triumph of Scipio Africanus; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'

Jacob Neeffs (d. 1670)

1636 · Engraving

Cleared · Public Domain

live
The MetSimilar

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