
Birth of the Virgin (copy)
Julius Goltzius (d. 1595)
1581 · Engraving; first state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
328 ms. The Metropolitan Museum of Art, Collection API (Open Access)
334 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,397 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Birth of the Virgin (copy)
Julius Goltzius (d. 1595)
1581 · Engraving; first state of two
Cleared · Public Domain
live
The Sudarium Carried by Two Angels, copy
Albrecht Dürer (d. 1528)
n.d. · Engraving
Cleared · Public Domain
live
Two young satyrs and a boy (copy in reverse)
Wenceslaus Hollar (d. 1677)
1647 · Etching and engraving
Cleared · Public Domain
live
The Virgin being crowned by two angels, copy after Cantarini
Simone Cantarini (d. 1648)
17th century · Etching
Cleared · Public Domain
live
The Two Gossips (Les Deux Commères)
Henry-Bonaventure Monnier (d. 1877)
1832 · Pen and black ink, and watercolor
Cleared · Public Domain
live
Copy after Delacroix's "Bark of Dante"
Edouard Manet (d. 1883)
ca. 1859 · Oil on canvas
Cleared · Public Domain
live
The Two Gossips (copy)
Adriaen van Ostade (d. 1685)
n.d. · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Two Couples and the Buffoon (copy)
Sebald Beham (d. 1550)
1600 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Four chairs with two stools at center
Crispijn de Passe the Younger (d. 1670)
1658 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Peasants Before a Fireplace (reverse copy)
David Teniers the Younger (d. 1690)
after 1630 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Sudarium Displayed by Two Angels, copy
Albrecht Dürer (d. 1528)
n.d. · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Liar, the copy of the Liar - 1
Francis Alÿs (d. 9999)
1991–94 · Enamel on metal sheet, oil on paperboard with masking tape and oil and wax on canvas glued to particle board
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.