The Descent from the Cross, from "The Small Passion"
Albrecht Dürer (d. 1528)
ca. 1509 · Woodcut
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
192 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
353 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 38,273 matching records exist across the two collections.
Results for "The Two Ladders"12 records
Institutions answered newest-first by record, interleaved
The Crucifixion of Saint Andrew
Caravaggio (d. 1610)
1606–7 · Painting, oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Two Ladders
Allart van Everdingen (d. 1675)
1675 · Engraving; second state of two
Cleared · Public Domain
liveThe MetSimilar
Tarocchi
Master of the E-Series Tarocchi
before 1467 · Print, engraving hand-colored with gold
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Duel (Le Duel), from Essay on Butterflies Masquerading as Humans (Essai de Papilloneries Humaines)
Charles Germain de Saint-Aubin (d. 1786)
ca. 1756–60 · Etching; first state of two
Cleared · Public Domain
liveThe MetSimilar
Fragment of a Band with Three Crosses of the Crucifixion
Unrecorded maker
1700s · Lace, Bleached linen (est.): needle lace, filet/lacis (knotted ground and darned in one direction) and burato (twined ground and darned in two directions)
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Lime-Burner (W. Jones, Lime-Burner, Thames Street)
James McNeill Whistler (d. 1903)
1859 · Etching and drypoint, warm black ink on ivory wove paper; first state of two (Glasgow)
Cleared · Public Domain
liveThe MetSimilar
Coif
Unrecorded maker
late 1500s · Embroidery, Silk, gold and silver thread, sequins, padding, linen; embroidery
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Two
Anders Zorn (d. 1920)
1916 · Etching; second state of two
Cleared · Public Domain
liveThe MetSimilar
Man's Nightcap
Unrecorded maker
late 1500s · Embroidery, Silk, silver thread, plaited braiding, linen; embroidery: chain and buttonhole stitches
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
2e Suite de différens Attributs, Trophées et Groupes de Fleurs, Plate 2
Pierre Ranson (d. 1786)
ca. 1778 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Construction Site with Workers, Visitors, Ladders, and Urn at the 1862 International Exhibition at South Kensington, England]
Benjamin L. Spackman (d. 9999)
1859–62 · Albumen silver print from glass negative
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.